Hannover CLIII
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Aviation art prints of the World war One aircraft The Hannover CL.III  two seat ground attack German aircraft.  available as art prints form Cranston Fine Arts 

The Hannover CL.III  was a World War One German two-seat multi-role aircraft, primarily used as a ground attack aircraft   Like other Hannover aircraft, it included an unusual biplane tail, allowing for a greater firing arc for the tail  gunner

Crew: Two, pilot and observer/gunner  weight: 1,081 kg   Speed  165 km/h (90 knots ) at 5,000 m   Ceiling 7,500 m    flight time  3 hours

Length: 7.58 m   Height: 2.80     Wingspan 11.70 m    Engine Argus As.111 6-cylinder inline engine, 134 kW (180 hp)    Armament 3 × 7.92 mm (0.323 in) LMG08/15  MG (two ring-mounted in observer's cockpit, one fixed forward)  


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By the spring of 1918 WW I was fast approaching its climax. In the East, Russia had collapsed, allowing Germany to amass a force of 3.5 million troops in 194 divisions on the all-important Western Front. The German strategy was to end the War before the full brunt of American involvement could swing the balance irretrievably in favor of the Allies. In an offensive of titanic proportions, later known as the Kaisers Battle, German forces strove to break the three-and-a-half year stalemate in trench warfare. This massive offensive would combine the use of sturmtruppen trained to infiltrate Allied positions, massed artillery attacks, and finally schlachtstasffein which were formations of specialized ground attack aircraft. These units, while lacking the publicity of the fighter squadrons, played a more offensive role than any other aircraft of WW I. As part of German industrys Amerika Programm, begun in mid-1917 to counter the anticipated arrival of an American air armada, the Imperial German Air Force called for the development of a new light, compact, highly maneuverable, two-seat aircraft to be known as the CL class. These new aircraft were to be offensive machines to be used to escort bombers and strafe trenches. One of the most successful of the new class of aircraft was the Hannover CL IIIa. The Hannover, as a single-engined aircraft, was unique in having a biplane tail. Its purpose was to reduce the tailplane span, thereby affording a wider field of fire for the observer/gunner. For a two seat aircraft the CL IIIa was a smallish (38 foot wingspan) and compact aircraft, and was often mistaken by Allied scouts as a single seater, whereupon they were speedily disabused of their illusion by a hail of fire from the observers Parabellum machine-gun. The small size of this aircraft imparted great maneuverability and an excellent field of view for its pilot. Powered by an Argus As III engine, the Hannover also utilized a plywood fuselage, giving the aircraft great strength and the ability to withstand a lot of punishment. These characteristics made the CL IIIa an ideal ground attack aircraft. More than one thousand of these airplanes were built, and they entered service in late 1917. The Hannoveranas, as they were called by the RFC, were without doubt, formidable opponents. Major James McCudden, V.C., the RFCs fourth ranking ace with 57 victories, was to write: These machines are very deceptive and pilots are apt to mistake them for Albatros scouts until they get to close range, when up pops the Hun gunner from inside his office. Johann Baur, who later became the personal pilot of Adolf Hitler, flew Hannovers and claimed nine victories. In Stan Stokes dramatic depiction, a CL IIIa strafes counter-attacking British Mk IV tanks in a shell pocked landscape during the Spring offensive of 1918, Germanys supreme bid for victory in the West.

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ITEM CODE STK0007

 

 

SHOWCASE PRODUCT

EDITIONS

Original Drawing - Wounded Eagle by Ivan Berryman Price : £380

Original Drawing - JG52, Summer 1940 by Ivan Berryman Price : £600

Original Drawing - One on the Run by Ivan Berryman Price : £340

Original Drawing - Straggler's End by Ivan Berryman Price : £380

ARTIST
Featured Artist - Ivan Berryman



Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception.

Original Pilot Signed Battle of Britain Pencil Drawings



A selection of great value Battle of Britain aviation drawings, signed by some of the pilots who flew in the battle 70 years ago.

These superb unique pieces of artwork have been signed by Hurricance, Spitfire and Me109 pilots from both sides of the Battle of Britain :

Wounded Eagle is signed by Group Captain Byron Duckenfield

JG52 - Summer 1940 is signed by General Gunther Rall and also features the matted original signatures of Oberst Erich Hartmann and General Johannes Steinhoff

One on the Run is signed by both Group Captain Byron Duckenfield and Flight Lieutenant Roy Daines

Straggler's End is signed by Group Captain Byron Duckenfield


Roy Daines signs one of the original pencil drawings.

We have selected a few of the best of these drawings to display here, but there are many more similar signed and unsigned drawings on the pencil drawing pages of artists David Pentland and Ivan Berryman

DETAIL IMAGES





EXTRAS

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See more WW2 Military Prints at DavidPentland.com
See more Military Prints at Military-Art.com

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