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Royal Navy Ace by Stan Stokes.

Tommy Sopwith was born in 1888. He became the second person to fly the English Channel, and he established the Sopwith Aviation Company in 1912. His first successful aircraft design was the Sopwith Tabloid. This was a very modern aircraft when introduced in 1913. With its top speed of 92-MPH the Tabloid won the 1914 Schneider Trophy race. Two other early Sopwith designs were the Bat Boat, one of the first flying boats flown by the Naval Wing, and the Three-Seater, a large observation aircraft. Sopwith proliferated many other designs during the Great War, including the Snipe, Pup, Dolphin, Salamander, Strutter, and Camel. Sopwiths triplane was introduced in 1917. It evolved from the need for an aircraft with a superior rate of climb. By reducing the length and width of the wings, and by adding a third wing, the desired results were achieved. The triplane was a sound design with good rate of climb and very good maneuverability. It was somewhat underpowered when compared with its German adversaries. It was powered with either a 110-HP or 130-HP Clerget engine. The Sopwith Triplane utilized a convention design with I-sections and longertrons made of spruce wood. The fabric was separated from the structural members by thin strips of spruce, and the forward section of the fuselage was covered with sheet aluminum. The Triplane had a steerable tailskid, and the undercarriage was built with streamlined steel tubing. This diminutive aircraft was 26 feet 6 inches in span and just under 19 feet in length. The maximum speed of the aircraft was 117-MPH; attainable at 5,000 feet altitude. With a service ceiling of 20,500 feet the Triplane had a maximum endurance of 90 minutes. Maneuverability was a hallmark of Sopwith designs and the triplane was no exception to this rule. Many Royal Naval Air Service pilots flew the Triplane. For most of 1917 the pilots of Navy 1, 8, and 10 squadrons in Flanders flew Triplanes. Sopwith also produced a 200-HP Hispano-Suiza powered triplane that had larger wings to compensate for the increased engine weight. More than 20,000 aircraft were built of Sopwith design prior to the companys merger with Hawker in 1933. Captain R.A. Little was the RNASs highest-scoring ace with a total of 47 victories. He had fifteen victories (Nos 22-36) that were attained while flying the Sopwith Triplane with No 8 Squadron RNAS between April 1917 and July 1917.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00


Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00


Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00


Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00


Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0022

Boom Boom Billy by Stan Stokes.

Ready to purchase from our secure site?
Click the editions below.

Signed limited edition of 4750 prints. £40.00
Limited edition of 25 giclee paper prints. £109.00
Limited edition of 100 giclee canvas prints. £624.00
Limited edition of 100 giclee canvas prints. £484.00
Limited edition of 100 giclee canvas prints. £294.00
Even More Savings with Special Collectors' / Trade Packs !
(Items similar or related to this item)

Buy This Edition With :
3 Specially Selected Items
(Albatros Aviation Art Print Collectors Pack.)
for £270
Save £130 !

Boom Boom Billy by Stan Stokes.

William Avery Bishop, the top scoring RFC ace of WW I, was born in Ontario Canada on February 8, 1894. He entered the Royal Military College in 1911 and after War broke out in Europe he was assigned to the 14th Battalion of the Canadian Mounted Rifles. Bishop applied for a transfer to the Royal Flying Corps in 1915. Following a few months of training he was made an observer and was sent to France to fly with No. 21 squadron. He was hospitalized for frostbite and later from injuries sustained in a bad landing. In late 1916 he began pilot training and in March of 1917 Bishop was posted to No. 60 squadron flying Nieuport Scouts. On March 25 he experienced his first air combat, downing an Albatros single-seater. Bishop scored thirteen victories during Bloody April, and another seven-and-a-half in May. He was awarded the DSO at this point. In early June Bishop attacked a German airfield at dawn, and shot down three Albatros aircraft taking off to challenge him. For this fete he received the Victoria Cross. In constant combat during the summer months, Bishops score rose to 45 by mid-August. He was the first to exceed the record of the famous British Ace, Albert Ball. During this period Bishop often flew as many as seven-eight hours each day. He was aggressive in the air and obviously possessed excellent flying instincts and marksmanship skills. Eleven of these 45 victories were achieved in the SE-5 with which No. 60 squadron had been re-equipped. Promoted to Major, Bishop returned to Canada for a recruiting tour. In 1918 he returned to England, first as the Chief Instructor at Aerial Gunnery School, and later as the Commander of No. 85 squadron. Once again Bishop was at his best in the air. Flying SE-5s, Bishop claimed 27 more victories during this final combat tour, including four Pfalz D.IIIs. Bishop received the DFC, and returned to the Air Ministry in England for a short time before returning to Canada in August of 1918. There he played an important role in the formation of the new Canadian Air Force. Bishops official victory total of 72, the highest for any RFC flyer in WW I, approached the official total of von Richtofen who had 80. Some historians have disputed Bishops score, indicating that he received credit for a number of victories when he was flying alone. Following the War, Bishop formed a commercial aviation company with another ace W.G. Barker. He later served with the RCAF during WW II as an Air Marshal responsible for training. Billy Bishop passed away in 1956 at the age of seventy. In Stan Stokes nostalgic painting the top RFC ace is depicted early in his career flying his Nieuport against a German Albatros.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00


Limited edition of 25 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00


Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00


Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00


Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0012

Fast and Furious by Stan Stokes.

Ready to purchase from our secure site?
Click the editions below.

Signed limited edition of 4750 prints. £40.00
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Fast and Furious by Stan Stokes.

Thomas Sopwith was a distinguished British aviator who organized the Sopwith Aviation Company. Sopwith produced an aircraft which won the coveted Schneider Trophy race. With the start of WW I, Sopwith Aviation shifted its focus to military aircraft, and was to become one the major suppliers to both the Royal Air Corps and the Royal Naval Air Service. In October of 1914 two Sopwith Tabloids flew a 200-mile round trip strike against the airship sheds at Dusseldorf and Cologne. The Sopwith Strutter firmly entrenched Sopwith as a producer of quality-built aircraft. The Strutter was a precursor of the Sopwith Pup, which would serve as the Royal Navys first carrier aircraft. The first production Pup was delivered to the Royal Navy in 1916. Most Pups were powered by a 80-HP Le Rhone radial engine, which gave the Pup a top speed of 115-MPH and an endurance of three hours. Many Navy Pups were modified to utilize a tripod mounted Lewis gun which could be fired forward or upwards through a cutout in the upper wing. Sopwith Pups were also utilized on battlecruisers. In fact, a Pup launched from the HMS Yarmouth downed the Zeppelin L.23 in August of 1917. The Royal Navys HMS Furious was the first dedicated aircraft carrier in the world. The Furious was initially laid down as a battlecruiser, but the design was modified during construction to include a flying deck forward of the main bridge. This configuration allowed aircraft to be launched as the Furious steamed into the wind. An attempt at recovery by having aircraft side slip on to the deck proved ineffective with one of the early attempts resulting in the death of the pilot, Squadron Commander E. H. Dunning, who had made the worlds first successful carrier landing on a ship underway only days earllier. The Royal Navy decided to further modify the Furious by adding a second deck aft of the bridge. The fore and aft decks were connected by a narrow ramp on either side of the funnel and bridge, and this permitted aircraft to be to moved between the two decks. Sets of longitudinal wires were set across the aft deck, and were designed to catch the skids of the Sopwith Pups during landings. Recovering aircraft was still tricky, and a rope barrier was erected aft of the mainmast to prevent aircraft which overshot from crashing into the superstructure of the ship. The first carrier-based naval air strike in history was carried out against the Zeppelin hangars at Tondern by the Furious on July 19, 1918. Seven Sopwith Camels, each carrying two 50-pound bombs were utilized for this mission. This important moment in the history of naval aviation is captured magnificently in Stan Stokes highly detailed painting entitled Fast and Furious.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00

ITEM CODE STK0005

 

Boom Boom Billy by Stan Stokes.  William Avery Bishop, the top scoring RFC ace of WW I, was born in Ontario Canada on February 8, 1894. He entered the Royal Military College in 1911 and after War broke out in Europe he was assigned to the 14th Battalion of the Canadian Mounted Rifles. Bishop applied for a transfer to the Royal Flying Corps in 1915. Following a few months of training he was made an observer and was sent to France to fly with No. 21 squadron. He was hospitalized for frostbite and later from injuries sustained in a bad landing. In late 1916 he began pilot training and in March of 1917 Bishop was posted to No. 60 squadron flying Nieuport Scouts. On March 25 he experienced his first air combat, downing an Albatros single-seater. Bishop scored thirteen victories during Bloody April, and another seven-and-a-half in May. He was awarded the DSO at this point. In early June Bishop attacked a German airfield at dawn, and shot down three Albatros aircraft taking off to challenge him. For this fete he received the Victoria Cross. In constant combat during the summer months, Bishops score rose to 45 by mid-August. He was the first to exceed the record of  the famous British Ace, Albert Ball. During this period Bishop often flew as many as seven-eight hours each day. He was aggressive in the air and obviously possessed excellent flying instincts and marksmanship skills. Eleven of these 45 victories were achieved in the SE-5 with which No. 60 squadron had been re-equipped. Promoted to Major, Bishop returned to Canada for a recruiting tour. In 1918 he returned to England, first as the Chief Instructor at Aerial Gunnery School, and later as the Commander of No. 85 squadron. Once again Bishop was at his best in the air. Flying SE-5s, Bishop claimed 27 more victories during this final combat tour, including four Pfalz D.IIIs. Bishop received the DFC, and returned to the Air Ministry in England for a short time before returning to Canada in August of 1918. There he played an important role in the formation of the new Canadian Air Force. Bishops official victory total of 72, the highest for any RFC flyer in WW I, approached the official total of von Richtofen who had 80. Some historians have disputed Bishops score, indicating that he received credit for a number of victories when he was flying alone. Following the War, Bishop formed a commercial aviation company with another ace W.G. Barker. He later served with the RCAF during WW II as an Air Marshal responsible for training. Billy Bishop passed away in 1956 at the age of seventy. In Stan Stokes nostalgic painting the top RFC ace is depicted early in his career flying his Nieuport against a German Albatros.

Fast and Furious by Stan Stokes.  Thomas Sopwith was a distinguished British aviator who organized the Sopwith Aviation Company. Sopwith produced an aircraft which won the coveted Schneider Trophy race. With the start of WW I, Sopwith Aviation shifted its focus to military aircraft, and was to become one the major suppliers to both the Royal Air Corps and the Royal Naval Air Service. In October of 1914 two Sopwith Tabloids flew a 200-mile round trip strike against the airship sheds at Dusseldorf and Cologne. The Sopwith Strutter firmly entrenched Sopwith as a producer of quality-built aircraft. The Strutter was a precursor of the Sopwith Pup, which would serve as the Royal Navys first carrier aircraft. The first production Pup was delivered to the Royal Navy in 1916. Most Pups were powered by a 80-HP Le Rhone radial engine, which gave the Pup a top speed of 115-MPH and an endurance of three hours. Many Navy Pups were modified to utilize a tripod mounted Lewis gun which could be fired forward or upwards through a cutout in the upper wing. Sopwith Pups were also utilized on battlecruisers. In fact, a Pup launched from the HMS Yarmouth downed the Zeppelin L.23 in August of 1917. The Royal Navys HMS Furious was the first dedicated aircraft carrier in the world. The Furious was initially laid down as a battlecruiser, but the design was modified during construction to include a flying deck forward of the main bridge. This configuration allowed aircraft to be launched as the Furious steamed into the wind. An attempt at recovery  by having aircraft side slip on to the deck proved ineffective with one of the early attempts resulting in the death of the pilot, Squadron Commander E. H. Dunning, who had made the worlds first successful carrier landing on a ship underway only days earllier. The Royal Navy decided to further modify the Furious by adding a second deck aft of the bridge. The fore and aft decks were connected by a narrow ramp on either side of the funnel and bridge, and this permitted aircraft to be to moved between the two decks. Sets of longitudinal wires were set across the aft deck, and were designed to catch the skids of the Sopwith Pups during landings.  Recovering aircraft was still tricky, and a rope barrier was erected aft of the mainmast to prevent aircraft which overshot from crashing into the superstructure of the ship. The first carrier-based naval air strike in history was carried out against the Zeppelin hangars at Tondern by the Furious on July 19, 1918. Seven Sopwith Camels, each carrying two 50-pound bombs were utilized for this mission. This important moment in the history of naval aviation is captured magnificently in Stan Stokes highly detailed painting entitled Fast and Furious.

Royal Navy Ace by Stan Stokes. Tommy Sopwith was born in 1888. He became the second person to fly the English Channel, and he established the Sopwith Aviation Company in 1912. His first successful aircraft design was the Sopwith Tabloid. This was a very modern aircraft when introduced in 1913. With its top speed of 92-MPH the Tabloid won the 1914 Schneider Trophy race. Two other early Sopwith designs were the Bat Boat, one of the first flying boats flown by the Naval Wing, and the Three-Seater, a large observation aircraft. Sopwith proliferated many other designs during the Great War, including the Snipe, Pup, Dolphin, Salamander, Strutter, and Camel. Sopwiths triplane was introduced in 1917. It evolved from the need for an aircraft with a superior rate of climb. By reducing the length and width of the wings, and by adding a third wing, the desired results were achieved. The triplane was a sound design with good rate of climb and very good maneuverability. It was somewhat underpowered when compared with its German adversaries.  It was powered with either a 110-HP or 130-HP Clerget engine. The Sopwith Triplane utilized a convention design with I-sections and longertrons made of spruce wood. The fabric was separated from the structural members by thin strips of spruce, and the forward section of the fuselage was covered with sheet aluminum. The Triplane had a steerable tailskid, and the undercarriage was built with streamlined steel tubing. This diminutive aircraft was 26 feet 6 inches in span and just under 19 feet in length. The maximum speed of the aircraft was 117-MPH; attainable at 5,000 feet altitude. With a service ceiling of 20,500 feet the Triplane had a maximum endurance of 90 minutes.  Maneuverability was a hallmark of Sopwith designs and the triplane was no exception to this rule. Many Royal Naval Air Service pilots flew the Triplane. For most of 1917 the pilots of Navy 1, 8, and 10 squadrons in Flanders flew Triplanes. Sopwith also produced a 200-HP Hispano-Suiza powered triplane that had larger wings to compensate for the increased engine weight. More than 20,000 aircraft were built of Sopwith design prior to the companys merger with Hawker in 1933. Captain R.A. Little was the RNASs highest-scoring ace with a total of 47 victories. He had fifteen victories (Nos 22-36) that were attained while flying the Sopwith Triplane with No 8 Squadron RNAS between April 1917 and July 1917. 

 

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £420

Merlin Roar by Anthony Saunders Price : £80

Hurricane Patrol by Graeme Lothian Price : £150

Holding the Line - The Battle of Britain by Nicolas Trudgian Price : £150

Front Line Hurricanes by Robert Taylor Price : £220

ARTIST
Featured Artist - Robert Taylor



The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

Battle of Britain Hurricane Signature Prints



Save £180 on this specially selected pack of Battle of Britain Hurricane aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Merlin Roar by Anthony Saunders,
Hurricane Patrol by Graeme Lothian,
Holding the Line - The Battle of Britain by Nicolas Trudgian
and
Front Line Hurricanes by Robert Taylor.

In all, the prints have 12 different signatures of pilots and aircrew related to Hurricanes during the Battle of Britain.

In particular, Front Line Hurricanes by Robert Taylor features 6 signatures of now sadly deceased pilots - some of them a rarity in print signings.

Click the 'Special Offer Pack' Edition to order.

DETAIL IMAGES





EXTRAS

More Items from our database

A Zeppelin over London by Ivan Berryman.



Captain Arthur Henry Cobby by Ivan Berryman.



Four Me110 aircraft prints by Nicolas Trudgian.



See more aviation art at www.aviationprints.co.uk
See more WW2 Military Prints at DavidPentland.com

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