Stan Stokes is a California native with more than 37 years as a full time professional artist, who developed a passion for vintage cars, trains and airplanes at an early age. Model building and RC planes filled the many hours of the young enthusiast's free time. However, unlike most other young aviation enthusiasts Stokes also displayed a great gift for artistic talent. After studying art in College, Stan decided to pursue a career as a professional artist. Stokes initially focused his great talents on depicting uniquely realistic landscapes of the western desert and mountain scenes. More than thirty years ago a good friend suggested that Stan combine his passion for aviation history and flying with his artistic talents, and render an aircraft or two. The rest is history. Stan has won many prestigious awards including the Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museum's "Golden Age of Flight" award in 1985. In May of 2000, Stan was honored with the National Museum of Naval Aviation's "R. G. Smith Award for Excellence in Naval Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi Valley, California, Stan's 12 x 120 foot mural of the "History of the Flying White House" is on permanent display in the  Air Force One Pavilion. In addition Stan's painting of the USS Ronald Reagan is hanging in the Legacy Room of the library. In 2005 Stan also completed a painting of our nation's next aircraft carrier, the USS George H. W. Bush, which is on permanent display at the George H. W. Bush Presidential Library in College Station, Texas. Stan has also completed several impressive murals for the Palm Springs Air Museum including: "The Tuskegee Airmen" at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen. "Dauntless at Midway" at 12 x 34 feet and "Corsair on Approach" at 19 x 55 feet. Stan's work also hangs in the Air Force art collection, the Pentagon, San Diego Aerospace Museum, and the Smithsonian National Air and Space Museum in Washington DC. Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the lae Pappy Boyington, Chuck Yeager, and many many others.  A true aviation history buff, Stan often spends more time pouring over research materials for his paintings to assure their accuracy to the smallest detail than he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stans' canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980's NASA has also tapped Stan's talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan. Spitfire on the Prowl  by Stan Stokes.  One of  most popular aircraft of WW II.  Spitfire on the Prowl depicts the venerable Super-marine Spitfire flying over the needles. Battle of Britain by Stan Stokes.  The Battle of Britain in 1940 was the biggest air battle ever fought in the history of armed conflict. After the fall of France Hitler hoped to sign a peace treaty with Britain allowing the Germans to dominate Europe, and ultimately attack Russia in the East. Being rebuffed by the British, Hitler and his senior military advisors formulated Operation Sea Lion. This was to involve an invasion of Britain after the Luftwaffe had attained total domination over the RAF. As plans evolved for knocking out the RAF, the Germans began assembling a large number of airfields in Holland, France, and Belgium to be used for the attack. In their arsenal the Germans had more than 800 medium range bombers including the Heinkel He-111, the Junker Ju-88, and the Dornier Do-17. They also had more than 200 Ju-87 Stuka dive bombers, and more than 900 Bf-109 and Bf-110 fighters to escort their attacking forces. The British had far less than 1000 defensive aircraft at their disposal with Hawker Hurricanes outnumbering Supermarine Spitfires about 2-to-1. Despite the Germans numerical superiority the British had at least five advantages in this epic Battle. First, radar allowed the Brits to determine where to target its fighter defenses. Second, when British aircraft were downed many of the pilots were recovered and returned to flight duty. When German aircraft were downed the pilots became British POWs. Third, the BF-109, Germanys best fighter, had limited range, and generally could spend only about twenty minutes over British soil before having to return to Europe. Fourth, the British dispersed their defensive forces widely into many small groups, eliminating the ability of the Luftwaffe to deliver a knockout punch on the ground. Fifth, the RAF pilots were surprisingly well trained, and while few in number were supplemented with volunteers from Canada, Australia, New Zealand, Poland, South Africa, and the United States. Also important was the tenacity of the RAF support staff that kept an amazing amount of the aircraft in the air. The man most responsible for the British victory was Air Marshal Sir Hugh Dowding, head of Fighter Command. In the first phase of the Battle the Luftwaffe focused its efforts on knocking out RAF airfields. The RAF lost 50 fighters in the first 10-days. This resulted in modified tactics permitting looser formation flying similar to that employed by the Germans. The Germans suffered too with the Bf-110 and Ju-87 proving particularly vulnerable. In August Hitler authorized a massive attack called Eagle Day that was designed to obliterate the RAF by attacking coastal radar stations. Again the German effort fell far short and later in August the Germans had one of their worst days losing 75 aircraft on Black Thursday.  In late August the German tactics changed again with the focus now on destroying RAF fighters in the air. In a two-week period ending on September 6, the RAF lost 466 fighter aircraft, taking the Germans to their closest point of victory during the Battle. The turning point in the Battle is generally acknowledged to be September 7 when the Germans shifted focus to general attacks on London. This gave the RAF a breather, and on September 15 they took down 60 Luftwaffe