Air Force One by Stan Stokes.

The jet transport age got underway in earnest in 1954 when the Boeing 707 prototype (Dash 80) made its maiden flight from Renton Field in Seattle. This was the culmination of a multi-year $16 million project, and the maiden flight coincided with the 38th anniversary of the Boeing Company. Powered by four Pratt & Whitney turbojets the swept-winged aircraft was the first in more than 1,000 707 commercial transport aircraft that would be built by Boeing through May 1991. Pan American Airways inaugurated trans-Atlantic jet service, utilizing the Boeing 707, in October of 1958. Some variants of the 707 were introduced, including the 707-320 for long distance intercontinental service, and the 720 series that was lighter and faster and could operate in and out of shorter length runways. The KC/C-135 tanker and transport aircraft were based on the 707. More than 800 of these aircraft were built during a long production run. The 707 became the first jet aircraft utilized for Presidential transport and served in that capacity until 1990 when two 747-200s replaced the 707s. The history of Air Force One dates to 1944 when a C-54 was put into operational service for flying President Franklin Roosevelt. Nicknamed the Sacred Cow, this C-54 was the first Air Force One. Later, Harry Truman would fly in a DC-6 nicknamed Independence. Dwight Eisenhower utilized two prop driven aircraft nicknamed Columbine I and Columbine II. President Kennedy became the first jet age President when his VC-137 (Boeing 707) went into service. It was Kennedys aircraft that popularized the term Air Force One. In 1962, a C-137C, with the tail number 26000 went into service. It is perhaps the best-known and most historically significant presidential aircraft. It carried President Kennedy to Dallas on November 22, 1963, and while returning his body, following the assassination, was the site for the swearing in of Lyndon Johnson as President. This same aircraft flew LBJs body back to Texas for burial following his state funeral in January of 1973. In 1972 President Nixon made historically significant trips to the Soviet Union and the Peoples Republic of China in this aircraft. Tail number 26000 was relegated to a lesser role in the Air Mobility Command and was not fully retired from service until 1998. She is on display at the U.S. Air Force Museum in Ohio. In Stan Stokes dramatic painting Air Force One makes a low altitude pass over Mt. Rushmore.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0199

Lady Pioneer by Stan Stokes.

While considerable controversy still surrounds the disappearance of Amelia Earhart in 1937, there is no question that Amelia Mary Earhart was one of the great pioneers of American aviation. Born in Atchison, Kansas in 1897, Amelia was the daughter of a railroad attorney. She exhibited an adventurous spirit at a young age, and was able to travel extensively with her parents. In 1918 at the age of twenty-one, Amelia witnessed a flight demonstration in Toronto, and this inspired her to take a course in engine mechanics. Three years later she was in New York City studying medicine at Columbia University when she had the opportunity to take her first airplane ride to California. She immediately decided to learn to fly, and she remained in California where she obtained her pilots license in 1921. During the next few years Earhart had many jobs in many locales, but her true love was flying. Amelia was the first female passenger to cross the Atlantic in 1928, and the fame this generated allowed her to direct her attention at attempting other record-breaking feats. Amelia met George Putnam during this time, and he supported her flying efforts. They married in 1931. In 1932 Amelia became the first woman to make a solo crossing of the Atlantic flying a Lockheed Vega. Months later she became the first woman to completed a solo flight from Los Angeles to New York. Her next major record came in January, 1935 when she completed a solo flight from Honolulu to Oakland in a little over 18 hours. In 1936 Earhart was appointed to the faculty of Purdue University which provided her a Lockheed Electra as a flying laboratory. Having access to the Electra allowed Amelia to begin planning her dream flight, an around the world crossing as close to the equator as possible. In March of 1937 she embarked on a round the world trip in a westerly direction, but her aircraft was damaged on take off from Hawaii. In June a new route going in an easterly direction, starting from Miami, was mapped out by her navigator, Fred Noonan. Departing on June 1, 1937 Earhart arrived in Lae, New Guinea some 22,000 miles and 146 flying-hours later. The next leg of this record setting trip would cover 2,500 miles over the Pacific with the intended destination being the tiny Howland Island. When Earhart and Noonan failed to arrive, a massive search commenced, which was abandoned in mid-July. Presumably lost at sea, the nation mourned the loss of one of its heroes. In Stan Stokes painting entitled Lady Pioneer, Amelias beloved Model 10E Electra is depicted next to the aviators Cord automobile. This aircraft was delivered to Earhart in 1936. It was powered by twin 550 HP Wasp S3 H 1 engines, and was equipped with extended range fuel tanks, giving the craft a maximum range of 4,000 miles. The Electra was returned to Lockheeds plant in Burbank in 1937 for repairs following the accident in Hawaii. A new right wing was fitted, and repairs were made to the center fuselage and landing gear. The Civilian Aviation Administration officially canceled the registration of Earharts NR16020 in July of 1938, approximately one year after her disappearance. 1997 marked the 100th anniversary of Earharts birth and the 60th anniversary of her disappearance.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 25 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0175

Lucky Lindy by Stan Stokes.

Charles Augustus Lindbergh is generally acknowledged to be the most famous American aviator of all time. Lindbergh was one of a band of flying gypsies who discovered that following WW I there was little interest by the military in aviation and very few jobs available in the fledgling commercial aviation field. These pilots, who were hooked on flying, flew the mail, offered rides at county fairs, and barnstormed around the country in an attempt to eke out a small living and cover the cost of flying. In 1919 a wealthy New York hotel owner had established a prize of $25,000 for the first non-stop flight between New York and Paris. By the mid-1920s, the technology appeared to be on the verge of permitting a successful crossing. In 1926 the famous WW I French fighter ace, Réné Fonck crashed his Sikorsky S-35 while attempting to takeoff from Roosevelt Field on Long Island, killing two of his four man crew. In April of 1927 a similar crash killed Noel Davis and Stanton Wooster. On May 8, another WW I French fighter ace, Charles Nungesser, and his copilot were killed when their flight from Paris to New York disappeared over the Atlantic. Each of these tragedies further aroused public interest in what seemed to be an impossible task. Charles Lindbergh had lots of experience flying in difficult conditions and at night from his years as a US Mail pilot. Unlike the others, Lindbergh believed that he would need to fly alone, and he opted to go with a fuel efficient single-engine aircraft. Lindbergh was an excellent planner, and his second choice for a suitable aircraft for his journey was a Ryan M-1 produced in San Diego. With much of his backing coming from St. Louis businessmen, Lindbergh named his aircraft the Spirit of St. Louis. The M-1 needed many modifications including an enlarged fuel capacity, and was fitted with a 237-HP Wright J-5C engine. To maintain the aircrafts center of gravity one of the additional fuel tanks had to be fitted in the cockpit, blocking all visibility through the windscreen. A small telescope was fitted to provide some forward visibility. Bad weather delayed Lindberghs planned takeoff from Roosevelt Field, but on the morning of May 20, 1927 a small break in the weather allowed Lindbergh to attempt his takeoff. Barely missing power lines and trees at the end of the muddy airstrip Lindbergh got airborne. Less than 34 hours later he touched down at Le Bourget Field in Paris. Throngs of people were present to greet the new hero. Overcoming bad weather, disorientation, and fatigue, Lucky Lindy had overcome the odds, and become one of the greatest American heroes of this century. An interesting historical footnote to Lindberghs journey is the fact that only two weeks after his flight, two others (Chamberlin and Levine) flew non-stop from New York to Germany.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0176

Flying Luxury Liner by Stan Stokes.

The Curtiss Condor was the civilian transport version of the B-2 bomber. It was developed in the late 1920s with the principal design staff consisting of G. Page, T. Wright, S. Vaughn, and R. Beisel. The design utilized the same metal tube and aluminum spars as in the B-2. The Condor was wider with a six foot wide fuselage, and as there was no need for gunner cockpits, the aft engine nacelles were faired in and the space utilized for mail and cargo. A significant design factor was the incorporation of 3 inches of Dry Zero soundproofing in the cabin, which made the Condor considerably quieter inside than the other passenger craft of the era. The interior of the Condor was quite spacious and luxurious with a full six feet eight inches of head room in the cabin. The Condor was arranged to carry 18 passengers with six seats arranged in three cabins. Reclining seats were utilized in the two forward cabins with the rear cabin equipped with lounge seats. Passengers had large windows for sight-seeing, and passenger lighting and air vents were utilized. The Condor also had a heated cabin, not common on most aircraft of that era, which was driven by two small boilers attached to the engine exhaust manifolds. A lavatory with hot and cold running water was also standard. The Condor first flew in July of 1929. Early production models were difficult to fly and the Curtiss Company undertook modifications to improve the flying characteristics of the aircraft. With the Great Depression underway it was not easy getting orders for this aircraft, and Eastern Air Transport ended up as the proud owner of six Condors. The Curtiss Company opted to kill the Condor program at this point and focus on a totally new aircraft, the T-32 Condor II. The Condors went on to serve Eastern well. The aircraft was reasonably reliable and was well liked by passengers. Glenn H. Curtiss made his final flight in May of 1930 in a Condor from Albany to New York, which was to commemorate his historic flight of twenty years earlier. Two months later, Curtiss, one of the early pioneers of American aviation would die at age fifty-two. In Stan Stokes painting, entitled Flying Luxury Liner, an Eastern Air Transport Condor approaches Hoover Field in Washington, D.C. in November of 1931. The T-32 Condor IIs debut was impacted by the introduction of the Douglas DC-1 in 1934. This all metal, low wing monoplane would become the DC-2 in its first production variant. The days of the passenger biplane, for al practical purposes, were over.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0194

Gone Fishing by Stan Stokes.

The De Havilland Aircraft Company was founded by Geoffrey de Havilland, and Englishman who was born in 1882. He became fascinated with aircraft as a young man, and with the assistance of a wealthy grandfather pursued his first aircraft design. The first major success of this start-up company was the DH-4, a two seat bomber. This design was licensed to the US military, and more than 5,000 DH-4s were built. Following WW I de Havilland set up an internal engine design and manufacturing capability that was utilized to great success with their series of Moth trainers. De Havilland Aircraft was one of the early leaders in jet aircraft. They built the first jet aircraft the Comet that entered service in 1952. Unfortunately the Comet had some structural flaws that caused break-up of the aircraft in mid-flight. Withdrawing the aircraft and returning to the drawing boards cost the Company the lead and they never caught-up to either Boeing or Douglas. De Havilland Canada was set up in 1928 as a subsidiary of the U.K. company. Following WW II the Canadians wished to make their own mark. They developed the Chipmunk, a successful, all metal trainer that was purchased by many countries. The Canadian company also saw the opportunity to design and build an aircraft especially built for the rugged northern bush country of Canada. The Company surveyed many bush pilots and the result was the development of the Beaver, possibly the most successful bush plane of all time. The Beaver first flew in 1947. It was an immediate hit, with its ability to handle rough terrain, and operate with floats or skis. Thirteen countries purchased the Beaver for military use, and it was nicknamed the generals jeep for its ability to shuffle top brass in and out of remote areas. The other aircraft in Stans painting is a Noorduyn Norseman. It was first flown in 1935 and went into production in 1936. The aircraft was 32 feet in length and had a wingspan of more than 51 ft. A Pratt and Whitney Wasp 9-cylinder engine putting out 550-HP powered the Norseman. It had a cruising speed on 150-MPH, a service ceiling of 22,000 feet, and a range of 600 miles. With a single pilot, a Norseman could carry 8-9 passengers. A total of 904 Norseman were built. The aircraft was flown by the RCAF, USAAF and many commercial and private airlines. The Norseman had a reputation as a solid, well-built, reliable aircraft, and it was widely used in bush flying where it could be utilized with wheels, floats, or skis. Unfortunately, Glen Miller, the famous American bandleader, was lost during the War while flying in a Norseman. One theory is that Millers aircraft may have been accidentally destroyed by Lancaster Bombers dumping bombs over the English Channel prior to landing.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0200

Chicago Homecoming by Stan Stokes.

The Douglas DC-6 and its successors would become the most popular and successful family of long-range civilian transport propeller driven aircraft in history. Although Lockheeds Constellation was technically superior to the Douglas DC-4, the former companys agreement with TWA prevented Lockheed from marketing the Connie to major airlines that competed with TWA. This created a window of opportunity for Douglas, and many airlines were anxious to purchase an improved version of the Douglas DC-4. During WW II Douglas built a lot of C-54 Skymaster aircraft, which was the military version of the DC-4. During the War, Douglas engineers interested the military in the concept of an improved version of the C-54 that would include a longer, and for the first time, pressurized fuselage, de-icing, and other enhancements. This improved Skymaster design evolved into the DC-6. Test flights on the first DC-6 prototype (c/n 36326) began in early 1946. This aircraft was bought by the USAAF, and later sold to a non-scheduled U.S. airline. This particular aircraft flew many millions of miles before being lost in an accident in 1978. DC-6s entered commercial service with the airlines in 1947. American and United Air Lines both introduced the DC-6 at the same time. American had orders or options on fifty planes, while United had the same on another forty. Pan Am was also an early customer as was Sabena. Early DC-6 operations had some problems. A United DC-6 caught fire and crashed in Utah with the loss of all on board while another American DC-6 caught fire and had to crash land in New Mexico. The problem resulted in a temporary grounding of the plane, and the cause of these fires was discovered and rectified. The DC-6 was widely purchased by non-U.S. airlines, and the 29th aircraft produced was named Independence, and was purchased by the USAF for use by President Truman. The first variant of the DC-6 to appear was the DC-6A, a freight version of the aircraft, which had a lengthened fuselage and greater load capacity and range. The DC-6B, which is depicted in Stan Stokes painting, was the passenger version of the DC-6A. It was one of the most successful airliners of all time. It could be configured to carry as many as 105 passengers, but was more typically operated with between 60-70 seats. A total of 288 DC-6B aircraft were produced, more than any other DC-6 or DC-7 variant. Many of these aircraft were still in service as late as 1978-79, more than twenty years after their development. The DC-6B had excellent economics. The operating cost per seat mile to fly this aircraft coupled with very good maintenance experience with both the airframe and the P&W engines, made this aircraft a money maker for most of the airlines which flew it. United and American were both big buyers of the DC-6B, and no less than ten long haul European airlines flew this great Douglas aircraft. The DC-6B had a maximum speed of 360-MPH, a typical cruising speed of 315-MPH, and a maximum payload of nearly 25,000 pounds. The maximum range of this aircraft was about 4,300 miles.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0188

1934 American Classics by Stan Stokes.

Stan Stokes, in his painting, 1934 American Classics, beautifully portrays a Hollywood movie star and her pet dog embarking on a chartered Ford Trimotor from the Grand Central Air Terminal (owned and operated by Curtis-Wright) in California. Probably bound for a weekend visit to San Simeon, the palatial retreat of the publishing magnate, William Randolph Hearst, the trip to San Luis Obispo will take only ninety minutes. The early afternoon rains have left puddles on the tarmac, but fair skies have returned to the San Gabriel mountains, and the trip should be a smooth one. During the Great Depression the Packard Company introduced some of its most stunning and high performance automobiles. The 1934 Packard LeBaron Speedster, pictured in the painting, was one such machine. Costing nearly $8,000 the Packard LeBaron Speedster was about two to three times the price of a nice three bedroom house. Only the very wealthy could afford such luxuries during the Depression. Note that the Speedsters fenders are reminiscent of the wheel covers on racing planes during the era of the Thompson Trophy Air Races. The Speedster was powered by a 160 HP V-12 engine which displaced 445 cubic inches. Around this time it is believed that among the Hollywood notables that owned Packard Speedsters were both Clark Gable and Douglas Fairbanks. The Ford Trimotor was introduced in 1926 and between 1926 and 1933 Ford produced approximately 200 of these capable aircraft. Ford Trimotors remained in service long after they were made technically obsolete by more modern aircraft, and it is reputed that one aircraft built in 1928 was still in regular service as late as 1970. Admiral Byrd utilized a 4-AT version of the Trimotor for his 1929 Antarctic expedition. The Ford Trimotor played an important role in introducing commercial aviation to the general public during the years of the Great Depression. The basic model carried eleven passengers and a crew of two, had a cruising speed of 107 MPH, an operational ceiling of 16,500 feet, and a range of 570 miles. Due to its corrugated metal exterior skin the Trimotor was affectionately known as the Tin Goose. The Tin Goose had a wingspan of nearly 78 feet, and was fifty feet in length. In 1930 Transcontinental and Western Air (TWA) began the first coast-to-coast commercial service utilizing Ford Trimotors. The trip took only thirty-six hours, if the weather was cooperative.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

ITEM CODE STK0184

Tahiti Clippers by Stan Stokes.

Juan Trippe left Yale University in 1917 to enlist in the U.S. Navy. Trippe became a Naval Aviator on June 17, 1918. With the War nearing its end Trippe returned to Yale where he founded the Yale Flying Club. Writing in the May 1919 edition of The Yale Graphic, Juan speculated that the new Navy NC flying boats being introduced might be the first to successfully cross the Atlantic, and that eventually commercial flights across the Atlantic would be, a perfectly sane commercial proposition. Several years later Trippe was in control of Pan American Airways. Pan Am had a contract to fly mail to Havana utilizing Fokker triplanes. Trippe believed that flying boats possessed advantages in serving South America where rivers, harbors, or lagoons could make suitable airfields in locations where no adequate facilities existed. In 1927 Pan Am acquired its first flying boat, the twin-engine Sikorsky S-36. Five such aircraft were utilized to expand service to additional South American cities. A few years later Pan Am acquired the large four-engine Sikorsky S-40, which was piloted on its maiden flight from Miami to Panama by Charles Lindbergh. The S-40 was not capable of providing transoceanic service, but a later variant, the S-42, was. An S-42 was utilized to survey the San Francisco to Manila route, but the first commercial service was provided utilizing a Martin M-130, a significantly improved aircraft. The biggest and most luxurious of the Pan Am flying boats was the Boeing 314. This huge aircraft was 28 feet high, 106 feet long, and had a wingspan of 152 feet. Six of these aircraft were delivered to Pan Am in 1939, and they were utilized to provide the first transatlantic commercial service. Two of Pan Ams flying boats, or Clippers as they were more popularly referred to, are depicted in a beautiful south seas setting by aviation artist Stan Stokes. In the foreground taxing to the floating dock is the Dixie Clipper, a Boeing 314. The Dixie Clipper inaugurated the first regular transatlantic passenger service in June of 1939, and was utilized by President Roosevelt to attend the Casablanca Conference in 1943. In the background, having just lifted off, is the China Clipper, a Martin M-130. This is the aircraft which departed San Francisco for Manila in 1935, and became the first commercial passenger aircraft to cross the Pacific. In 1968 when Juan Trippe stepped down, Pan American Airways had developed an 80,000 mile international route structure which served 85 countries. Juan Trippe was a driving force behind the development of international air travel, and his marvelous flying boats played a major role in making the mans ambitions a reality. These Clippers were truly some of the classics of Americas great aviation heritage.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £74.00

Signed by Capt Sture Sigfred - Pan Am Clipper Pilot.

ITEM CODE STK0192

Brazilian Clipper by Stan Stokes.

Although commercial aviation progressed in Europe during the 1920s, it remained dormant in America during most of the decade. In the late 1920s two Americans, Juan T. Trippe and Ralph A. ONeill came upon the scene and both were obsessed with the idea of building a dominant American overseas airline. Trippe was born into a prominent family and had attended Yale University. Trippe formed Eastern Air Transport with some of his Yale flying club buddies, and later merged a company into Pan American Airways, a small regional carrier in the Caribbean. Trippe utilized Fokker trimotors in the early days, but as his airline expanded, flying boats became the preferred aircraft because of the fact that they did not require runways and airports. There were few useable airfields in the early days of commercial aviation, but there were plenty of rivers and harbors. Pan Am purchased an S-36 flying boat from Sikorsky Aircraft in 1927. Sikorskys next flying boat was the S-38. It was very successful and saved Sikorsky Aircraft from bankruptcy following the market crash in 1929. The S-40 was the first of the great Pan Am Clippers. Weighing more than 17 tons it was a bit larger than the S-38 and somewhat less ungainly. In flight the S-40 was something to behold. Although the S-40 was successfully deployed on Pan Ams South American routes, it was not capable of making long haul flights necessary to cross the Atlantic or Pacific. The S-42 was Sikorskys response to Pan Ams needs. The first S-42 was built in 1933, and it first flew in March of 1934. The S-42 had a full-length hull unlike the cut off hulls of the prior Sikorsky models. It was powered by four 700-HP radials and utilized the new Hamilton Standard variable pitch props. The aluminum skin of the S-42 was flush riveted to reduce drag. The S-42 was a true seaplane and its fuselage was broken up into nine watertight compartments. It set several world records for weight-to-altitude records with Charles Lindbergh at the controls for several of the record-setting flights. A total of ten S-42s would be produced, and Pan American Airways purchased all of them. They were 69-feet in length with a wingspan of 118 feet. The total wing area was 1340 square feet and the aircraft had a gross weight capacity of 42,000 pounds. Powered by four Pratt & Whitney Hornet Radials generating 750-HP each the S-42 could attain a top speed of 190-MPH in level flight. It had a service ceiling of 16,000 feet. A typical cruising altitude and speed would be more like 140-150-MPH at 5,000-feet. An S-42 was used for survey flights for Pan Ams Pacific routes. The S-42s cut almost 50% off the total travel time for Pan Ams South American long distance routes because the aircraft required fewer stops with its range of 1,120 miles. As depicted in Stan Stokes painting an S-42 makes its inaugural scheduled flight to Brazil in August 1934. The aircraft would be christened the Brazilian Clipper during its visit to Rio by Señora Getúlio Vargas, wife of the Brazilian President.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0196

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