Stan Stokes.
Full Collection of First World War Aviation art Prints by Aviation
artist Stan Stokes
Stan
Stokes is a California native with more than 37 years as a full time
professional artist, who developed a passion for vintage cars, trains and
airplanes at an early age. Model building and RC planes filled the many hours of
the young enthusiasts free time. However, unlike most other young aviation
enthusiasts Stokes also displayed a great gift for artistic talent. After
studying art in College, Stan decided to pursue a career as a professional
artist. Stokes initially focused his great talents on depicting uniquely
realistic landscapes of the western desert and mountain scenes. More than thirty
years ago a good friend suggested that Stan combine his passion for aviation
history and flying with his artistic talents, and render an aircraft or two. The
rest is history. Stan has won many prestigious awards including the
Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museums
Golden Age of Flight award in 1985. In May of 2000, Stan Stokes was honored with
the National Museum of Naval Aviations R. G. Smith Award for Excellence in Naval
Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi
Valley, California, Stans 12 x 120 foot mural of the History of the Flying White
House is on permanent display in the Air Force One Pavilion. In addition Stans
painting of the USS Ronald Reagan is hanging in the Legacy Room of the library.
In 2005 Stan also completed a painting of our nations next aircraft carrier, the
USS George H. W. Bush, which is on permanent display at the George H. W. Bush
Presidential Library in College Station, Texas. Stan has also completed several
impressive murals for the Palm Springs Air Museum including: The Tuskegee Airmen
at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen.
Dauntless at Midway at 12 x 34 feet and Corsair on Approach at 19 x 55 feet.
Stans work also hangs in the Air Force art collection, the Pentagon, San Diego
Aerospace Museum, and the Smithsonian National Air and Space Museum in
Washington DC. Stan has had the pleasure of meeting and working with many of his
boyhood aviation heroes, including the late General Jimmy Doolittle, the late
Pappy Boyington, Chuck Yeager, and many many others. A true aviation history
buff, Stan often spends more time pouring over research materials for
his paintings to assure their accuracy to the smallest detail than he
does behind the canvas. Noted for his incredible detail and strikingly realistic
illustration, Stans canvases have a life-like three-dimensional effect that
often leaves viewers spellbound. Today his work encompasses not only aviation
and space but also portraits, landscapes, ships, classic cars and his new
collection of cat-related fine art paintings. Stan particularly enjoys the tough
assignment. During his 37 years as a professional artist, he has been asked to
produce literally hundreds of paintings documenting historical events, people
and places. Although Stan has logged many hours flying his own airplanes, in
recent years pleasure flying has had to take a backseat to the artistic demands
of his backlog. Stan was commissioned to paint more than twenty original
paintings for an aviation museum being in the Philippines. Since the mid-1980s
NASA has also tapped Stans talents from time to time and he has completed more
than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird.
Stan has also painted numerous works for the cutting edge genius in aviation and
space design, Burt Rutan.
Mitchell's Air Armada by Stan Stokes.
Germany, concerned over the full brunt of Americas entry into the War, decided in 1918 to launch one last all-out offensive. Germanys air forces were to play an important role in this offensive, but production of new aircraft had lagged behind expectations. With insufficient numbers of aircraft, German military leaders had to hope for technically superior machines to offset their disadvantages in numbers. In early 1918 top aces were brought back from the front to test competing designs. The overall favorite was a Fokker design which would ultimately reach the front as the D.VII. The aircraft was ordered into production immediately. The Germans organized a couple more fighter groups which could be rapidly deployed in those area where they could do the most good. The German offensive, which is generally referred to as the Kaisers Battle, began in the Spring and was focused on the area north of the Somme. British forces were initially overwhelmed by the German offensive. German airpower .........
The fledgling air forces of WW I had no problem finding volunteers for a life promising adventure, romance, and a chance for immortality. The glamorized version of life as a WW I aviator, while not far off the mark for national heroes like Max Immelmann, Oswold Boelcke, Charles Nungesser, Manfred von Richtofen, René Fonck and Billy Bishop, was only a pipe dream for most pilots. Honors accrued only to those with large victory totals, and impressive wins, and as the War dragged on, the chivalrous adventure became more and more unglamorous. In fact the Allied command discouraged the use of parachutes – believing it the pilots duty to stay with his aircraft. Many pilots did not return home. The average expected lifespan of a new combat pilot during WW I was about 5 weeks. The French suffered a 77 percent loss ratio during the War, and the loss ratios for many British squadrons exceeded 90% early in the War. The Great War had started only about ten years after the Wright Brothers first fli.........
World War I was the first major conflict in which the airplane became a practical instrument of war. However, because of the slow speeds, small armaments, limited fuel capacities and light weights of these aircraft many pilots survived being shot down many times. These were the glory days for early aviators with pilots from both sides having tremendous status amongst both their peers and their adversaries. In Gotcha, Stan Stokes has captured the camaraderie and good sportsmanship shown by the military pilots of the time. In a beautiful scene Stokes shows the downed German aviator dripping from the unscheduled bath just inflicted upon him, as a Spad piloted by Eddie Rickenbacker, Americas top ranking ace, passes overhead for a last look. Steam is rising from the engine of the downed Fokker D VII, which was arguably one of the finest fighter planes of World War I. About 700 Fokker D VIIs were produced during the War, and the aircraft was capable of speeds of 125 MPH with a range of 134 .........
Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.
Artist : Stan Stokes
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Now : £27.00
Rickenbacker: American Ace of Aces by Stan Stokes.
Edward V. Rickenbacker was Americas Ace of Aces in WWI. A Congressional Medal of Honor recipient, Eddie was born in Columbus Ohio on October 8, 1890. Eddies schooling ceased at age twelve when his father died. His first job was working at a foundry 72 hours a week for $3.50 per week. Eventually Eddie found employment in a garage, a job which was to have a tremendous influence on his entire life. Rickenbacker studied engineering through a correspondence school, and at age 18 he was employed to road test automobiles for the then famous Frayer-Miller company. Eddie drove in three Indy 500 races, and was deemed a conservative but highly skilled driver. By his early twenties Eddie was making about $40,000 a year, and in 1916 he visited England and was caught up in the spirit of the war, and in particular all activity relating to the Royal Flying Corps. A year later Rickenbacker had enlisted, hoping to become an American flyer. Unfortunately, he was assigned to General Pressings staff as a .........
The 94th and 95th Pursuit Squadrons of the U.S. Army Air Service were the first American units to see action in WW I following Americas entry into the War. The units were assigned in March of 1918 to a former French aerodrome at Villeneuve, which was located about twenty miles behind the front line. The 94th had several experienced pilots who had flown with the Lafayette Escadrille, including Major Raoul Lufbery, who had become the top American ace with the Lafayette Escadrille. The weather in March was poor for flying, and the 94th lacked appropriately equipped aircraft to oppose attacking German planes. However, the unit could hear the thunder of heavy guns in the distance, and when it was clear a string of observation balloons could be seen in the distance. Rumors of German advances startled the young flyers of the 94th, and compounded their frustrations. On March 30 the unit was moved further back from the lines to an aerodrome adjacent to the small village of Epiez. In early Apri.........
