1934 American Classics by Stan Stokes.

Stan Stokes, in his painting, 1934 American Classics, beautifully portrays a Hollywood movie star and her pet dog embarking on a chartered Ford Trimotor from the Grand Central Air Terminal (owned and operated by Curtis-Wright) in California. Probably bound for a weekend visit to San Simeon, the palatial retreat of the publishing magnate, William Randolph Hearst, the trip to San Luis Obispo will take only ninety minutes. The early afternoon rains have left puddles on the tarmac, but fair skies have returned to the San Gabriel mountains, and the trip should be a smooth one. During the Great Depression the Packard Company introduced some of its most stunning and high performance automobiles. The 1934 Packard LeBaron Speedster, pictured in the painting, was one such machine. Costing nearly $8,000 the Packard LeBaron Speedster was about two to three times the price of a nice three bedroom house. Only the very wealthy could afford such luxuries during the Depression. Note that the Speedsters fenders are reminiscent of the wheel covers on racing planes during the era of the Thompson Trophy Air Races. The Speedster was powered by a 160 HP V-12 engine which displaced 445 cubic inches. Around this time it is believed that among the Hollywood notables that owned Packard Speedsters were both Clark Gable and Douglas Fairbanks. The Ford Trimotor was introduced in 1926 and between 1926 and 1933 Ford produced approximately 200 of these capable aircraft. Ford Trimotors remained in service long after they were made technically obsolete by more modern aircraft, and it is reputed that one aircraft built in 1928 was still in regular service as late as 1970. Admiral Byrd utilized a 4-AT version of the Trimotor for his 1929 Antarctic expedition. The Ford Trimotor played an important role in introducing commercial aviation to the general public during the years of the Great Depression. The basic model carried eleven passengers and a crew of two, had a cruising speed of 107 MPH, an operational ceiling of 16,500 feet, and a range of 570 miles. Due to its corrugated metal exterior skin the Trimotor was affectionately known as the Tin Goose. The Tin Goose had a wingspan of nearly 78 feet, and was fifty feet in length. In 1930 Transcontinental and Western Air (TWA) began the first coast-to-coast commercial service utilizing Ford Trimotors. The trip took only thirty-six hours, if the weather was cooperative.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

ITEM CODE STK0184

Gone Fishing by Stan Stokes.

The De Havilland Aircraft Company was founded by Geoffrey de Havilland, and Englishman who was born in 1882. He became fascinated with aircraft as a young man, and with the assistance of a wealthy grandfather pursued his first aircraft design. The first major success of this start-up company was the DH-4, a two seat bomber. This design was licensed to the US military, and more than 5,000 DH-4s were built. Following WW I de Havilland set up an internal engine design and manufacturing capability that was utilized to great success with their series of Moth trainers. De Havilland Aircraft was one of the early leaders in jet aircraft. They built the first jet aircraft the Comet that entered service in 1952. Unfortunately the Comet had some structural flaws that caused break-up of the aircraft in mid-flight. Withdrawing the aircraft and returning to the drawing boards cost the Company the lead and they never caught-up to either Boeing or Douglas. De Havilland Canada was set up in 1928 as a subsidiary of the U.K. company. Following WW II the Canadians wished to make their own mark. They developed the Chipmunk, a successful, all metal trainer that was purchased by many countries. The Canadian company also saw the opportunity to design and build an aircraft especially built for the rugged northern bush country of Canada. The Company surveyed many bush pilots and the result was the development of the Beaver, possibly the most successful bush plane of all time. The Beaver first flew in 1947. It was an immediate hit, with its ability to handle rough terrain, and operate with floats or skis. Thirteen countries purchased the Beaver for military use, and it was nicknamed the generals jeep for its ability to shuffle top brass in and out of remote areas. The other aircraft in Stans painting is a Noorduyn Norseman. It was first flown in 1935 and went into production in 1936. The aircraft was 32 feet in length and had a wingspan of more than 51 ft. A Pratt and Whitney Wasp 9-cylinder engine putting out 550-HP powered the Norseman. It had a cruising speed on 150-MPH, a service ceiling of 22,000 feet, and a range of 600 miles. With a single pilot, a Norseman could carry 8-9 passengers. A total of 904 Norseman were built. The aircraft was flown by the RCAF, USAAF and many commercial and private airlines. The Norseman had a reputation as a solid, well-built, reliable aircraft, and it was widely used in bush flying where it could be utilized with wheels, floats, or skis. Unfortunately, Glen Miller, the famous American bandleader, was lost during the War while flying in a Norseman. One theory is that Millers aircraft may have been accidentally destroyed by Lancaster Bombers dumping bombs over the English Channel prior to landing.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0200

Chicago Homecoming by Stan Stokes.

The Douglas DC-6 and its successors would become the most popular and successful family of long-range civilian transport propeller driven aircraft in history. Although Lockheeds Constellation was technically superior to the Douglas DC-4, the former companys agreement with TWA prevented Lockheed from marketing the Connie to major airlines that competed with TWA. This created a window of opportunity for Douglas, and many airlines were anxious to purchase an improved version of the Douglas DC-4. During WW II Douglas built a lot of C-54 Skymaster aircraft, which was the military version of the DC-4. During the War, Douglas engineers interested the military in the concept of an improved version of the C-54 that would include a longer, and for the first time, pressurized fuselage, de-icing, and other enhancements. This improved Skymaster design evolved into the DC-6. Test flights on the first DC-6 prototype (c/n 36326) began in early 1946. This aircraft was bought by the USAAF, and later sold to a non-scheduled U.S. airline. This particular aircraft flew many millions of miles before being lost in an accident in 1978. DC-6s entered commercial service with the airlines in 1947. American and United Air Lines both introduced the DC-6 at the same time. American had orders or options on fifty planes, while United had the same on another forty. Pan Am was also an early customer as was Sabena. Early DC-6 operations had some problems. A United DC-6 caught fire and crashed in Utah with the loss of all on board while another American DC-6 caught fire and had to crash land in New Mexico. The problem resulted in a temporary grounding of the plane, and the cause of these fires was discovered and rectified. The DC-6 was widely purchased by non-U.S. airlines, and the 29th aircraft produced was named Independence, and was purchased by the USAF for use by President Truman. The first variant of the DC-6 to appear was the DC-6A, a freight version of the aircraft, which had a lengthened fuselage and greater load capacity and range. The DC-6B, which is depicted in Stan Stokes painting, was the passenger version of the DC-6A. It was one of the most successful airliners of all time. It could be configured to carry as many as 105 passengers, but was more typically operated with between 60-70 seats. A total of 288 DC-6B aircraft were produced, more than any other DC-6 or DC-7 variant. Many of these aircraft were still in service as late as 1978-79, more than twenty years after their development. The DC-6B had excellent economics. The operating cost per seat mile to fly this aircraft coupled with very good maintenance experience with both the airframe and the P&W engines, made this aircraft a money maker for most of the airlines which flew it. United and American were both big buyers of the DC-6B, and no less than ten long haul European airlines flew this great Douglas aircraft. The DC-6B had a maximum speed of 360-MPH, a typical cruising speed of 315-MPH, and a maximum payload of nearly 25,000 pounds. The maximum range of this aircraft was about 4,300 miles.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0188

Hong Kong Clipper by Stan Stokes.

The Glen L. Martin Company had a long history as a designer and manufacturer of successful flying boats. The company had developed several different flying boats for the Navy, including the PM the P3M and the XP2M. However, when the company began considering the development of a large commercial flying boat for Pan Am, there was considerable internal controversy. The Great Depression was underway and many aircraft manufacturers were going bankrupt. Glenn Martin insisted that the company proceed, and lie was highly motivated to show the world that his organization could design and produce the finest flying boat ever built. The end product of their efforts was the M-130. Credit for its design is shared with Martins Chief Engineer (L.C. Milburn), the Project Engineer (L.D. McCarthy), test pilot (WX. Ebel), and Pail Ams Chief Engineer (Andre Priester.) The first of the three MA 3 Os was the China Clipper. It made its maiden flight on December 30, 1934. The M- 130 had a wingspan of 130 feet, a gross weight of 5 1,000 pounds, and was initially powered by four Twin Wasp radials generating 830-HP each. (In 1938 more powerful engines and automatically adjustable pitch props were refitted onto all three M-130s.) The M-130 had a capacity of 32 passengers, and were equipped with 18 sleeping births. They were flown by a crew of eight professionals. The practical range of the aircraft with a normal load was about 3000-miles, which at a typical cruising speed of 130-MPH implied an endurance of almost 24 hours in the air. One unique design feature of the M-130 was the use of sponsons, or water wings, which actually helped the aircraft lift off from the water. The three M-130s were christened the China, Hawaii and Philippine Clippers by Pan Am. The China Clipper was accepted by Pan Am in October of 1935. In November this aircraft flew from Alameda, California to Manila in the Philippines; completing the 8,200 mile journey with a total flight time of 59 hours and 48 minutes. It arrived in Manila only two minutes behind its scheduled arrival time. The Philippine Clipper entered service next and was used for survey flights to map the Manila to Hong Kong route. The Hawaii Clipper entered service in October of 1936. This aircraft, unfortunately was lost during a flight in 1938 from Guarn to Manila, and its fate is unknown. The Philippine Clipper was lost in 1943 on a flight from Hawaii to San Francisco. Lost in bad weather the plane hit a mountain northwest of the city. The China Clipper was utilized by the US Navy during the War, and was returned to Pan AM in late 1943. For the next year it flew the route from Miami to Africa. On the night of January 18, 1945 the China Clipper crashed while attempting a landing in Trinidad. At the time of this tragedy the aircraft had successfully flown more than three million miles. In Stan Stokes painting the China Clipper takes off from Hong Kongs busy harbor in the late 1930s. The China Clipper may be the best known and most-loved commercial aircraft in history. It signalled the beginning of long distance commercial airline service, which by revolutionizing international passenger travel and mail delivery, made the Earth a rnuch smaller place for all of its inhabitants.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0186

Stearman PT17 by Gerald Coulson.

The Boeing Stearman PT 17 is a picture painted by Gerald Coulson essentially for the American Market and as a little self-indulgence. The U.S. equivalent to the Tiger Moth, it was typically larger and more powerful, being based around a comparatively large radial engine. Tough and easy to fly the Stearman still exists in large quantities and is used by fun fliers on both sides of the Atlantic, it being an extremely agile aerobatics machine capable of exciting continuous manoeuvres pulled along by its tremendous power. The sound of the Stearman, like the Harvard, is unmistakable with its propeller tips going supersonic at maximum revs. As trainers they were painted in the most attractive colours and against the typical Coulson sky this machine makes a brilliant impact and striking print as U.S. Army trainer 530 buzzes angrily through the sunlit skies probably taking yet another potential World War II ace on his first solo flight.

Signed limited edition of 850 prints. Image size 20 inches x 25 inches (51cm x 64cm) Only 60 copies remain, with a slight bend on one corner of the white border. Special Price. Price £95.00

ITEM CODE DHM2511

Brazilian Clipper by Stan Stokes.

Although commercial aviation progressed in Europe during the 1920s, it remained dormant in America during most of the decade. In the late 1920s two Americans, Juan T. Trippe and Ralph A. ONeill came upon the scene and both were obsessed with the idea of building a dominant American overseas airline. Trippe was born into a prominent family and had attended Yale University. Trippe formed Eastern Air Transport with some of his Yale flying club buddies, and later merged a company into Pan American Airways, a small regional carrier in the Caribbean. Trippe utilized Fokker trimotors in the early days, but as his airline expanded, flying boats became the preferred aircraft because of the fact that they did not require runways and airports. There were few useable airfields in the early days of commercial aviation, but there were plenty of rivers and harbors. Pan Am purchased an S-36 flying boat from Sikorsky Aircraft in 1927. Sikorskys next flying boat was the S-38. It was very successful and saved Sikorsky Aircraft from bankruptcy following the market crash in 1929. The S-40 was the first of the great Pan Am Clippers. Weighing more than 17 tons it was a bit larger than the S-38 and somewhat less ungainly. In flight the S-40 was something to behold. Although the S-40 was successfully deployed on Pan Ams South American routes, it was not capable of making long haul flights necessary to cross the Atlantic or Pacific. The S-42 was Sikorskys response to Pan Ams needs. The first S-42 was built in 1933, and it first flew in March of 1934. The S-42 had a full-length hull unlike the cut off hulls of the prior Sikorsky models. It was powered by four 700-HP radials and utilized the new Hamilton Standard variable pitch props. The aluminum skin of the S-42 was flush riveted to reduce drag. The S-42 was a true seaplane and its fuselage was broken up into nine watertight compartments. It set several world records for weight-to-altitude records with Charles Lindbergh at the controls for several of the record-setting flights. A total of ten S-42s would be produced, and Pan American Airways purchased all of them. They were 69-feet in length with a wingspan of 118 feet. The total wing area was 1340 square feet and the aircraft had a gross weight capacity of 42,000 pounds. Powered by four Pratt & Whitney Hornet Radials generating 750-HP each the S-42 could attain a top speed of 190-MPH in level flight. It had a service ceiling of 16,000 feet. A typical cruising altitude and speed would be more like 140-150-MPH at 5,000-feet. An S-42 was used for survey flights for Pan Ams Pacific routes. The S-42s cut almost 50% off the total travel time for Pan Ams South American long distance routes because the aircraft required fewer stops with its range of 1,120 miles. As depicted in Stan Stokes painting an S-42 makes its inaugural scheduled flight to Brazil in August 1934. The aircraft would be christened the Brazilian Clipper during its visit to Rio by Señora Getúlio Vargas, wife of the Brazilian President.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0196

Lady Pioneer by Stan Stokes.

While considerable controversy still surrounds the disappearance of Amelia Earhart in 1937, there is no question that Amelia Mary Earhart was one of the great pioneers of American aviation. Born in Atchison, Kansas in 1897, Amelia was the daughter of a railroad attorney. She exhibited an adventurous spirit at a young age, and was able to travel extensively with her parents. In 1918 at the age of twenty-one, Amelia witnessed a flight demonstration in Toronto, and this inspired her to take a course in engine mechanics. Three years later she was in New York City studying medicine at Columbia University when she had the opportunity to take her first airplane ride to California. She immediately decided to learn to fly, and she remained in California where she obtained her pilots license in 1921. During the next few years Earhart had many jobs in many locales, but her true love was flying. Amelia was the first female passenger to cross the Atlantic in 1928, and the fame this generated allowed her to direct her attention at attempting other record-breaking feats. Amelia met George Putnam during this time, and he supported her flying efforts. They married in 1931. In 1932 Amelia became the first woman to make a solo crossing of the Atlantic flying a Lockheed Vega. Months later she became the first woman to completed a solo flight from Los Angeles to New York. Her next major record came in January, 1935 when she completed a solo flight from Honolulu to Oakland in a little over 18 hours. In 1936 Earhart was appointed to the faculty of Purdue University which provided her a Lockheed Electra as a flying laboratory. Having access to the Electra allowed Amelia to begin planning her dream flight, an around the world crossing as close to the equator as possible. In March of 1937 she embarked on a round the world trip in a westerly direction, but her aircraft was damaged on take off from Hawaii. In June a new route going in an easterly direction, starting from Miami, was mapped out by her navigator, Fred Noonan. Departing on June 1, 1937 Earhart arrived in Lae, New Guinea some 22,000 miles and 146 flying-hours later. The next leg of this record setting trip would cover 2,500 miles over the Pacific with the intended destination being the tiny Howland Island. When Earhart and Noonan failed to arrive, a massive search commenced, which was abandoned in mid-July. Presumably lost at sea, the nation mourned the loss of one of its heroes. In Stan Stokes painting entitled Lady Pioneer, Amelias beloved Model 10E Electra is depicted next to the aviators Cord automobile. This aircraft was delivered to Earhart in 1936. It was powered by twin 550 HP Wasp S3 H 1 engines, and was equipped with extended range fuel tanks, giving the craft a maximum range of 4,000 miles. The Electra was returned to Lockheeds plant in Burbank in 1937 for repairs following the accident in Hawaii. A new right wing was fitted, and repairs were made to the center fuselage and landing gear. The Civilian Aviation Administration officially canceled the registration of Earharts NR16020 in July of 1938, approximately one year after her disappearance. 1997 marked the 100th anniversary of Earharts birth and the 60th anniversary of her disappearance.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £37.00

Limited edition of 25 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Limited edition of 100 giclee canvas prints Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

ITEM CODE STK0175

Related Items and Offers: Click Images for Details
13th Light Dragoons at Windsor Castle by Chris Collingwood. Item Price : £75