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History of US Naval aviation is
shown in aviation art prints by leading aviation artists Stan
Stokes, Ivan Berryman and Robert Taylor. These naval aviation art prints
are available direct from Cranston Fine Arts and these special prices.
The Helldiver was
designed to replace the Douglas SBD Dauntless; The helldiver was
much larger aircraft and capable of carrying a large payload and
heavily armed. It could operate form the new US aircraft carriers It was
designed for both the US Marines and United States Army Air Forces,
It was designed for multitude of rolls. The first prototype flew in
December 1940 and later crashed in February 1941. This second prototype
version was also lost when in December 1941 the Helldiver pulled out of a
dive and the starboard wing and tail plane failed catastrophically. The
helldiver went into l arge-scale production had already been ordered on 29
November 1940, |
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The Last Navy Biplane Fighter by Stan Stokes.
The Grumman Aircraft Engineering Corp. was organized in late 1929. The US Navy ordered 27 production Grumman FF-1 biplane fighters in 1932, the beginning of a relationship that has endured for more than seventy years. The FF-1 was a diminutive staggerwing fighter capable of a top speed of 207-MPH. A large number of aircraft were produced for export by Grumman in the early 1930s, but the company wanted to win a contract for a new and improved USN fighter. In May of 1934 the company succeeded with a contract for 54 F2F-1s. In 1934 the company also won a contract for a new and improved F3F-1. The latter was aerodynamically improved design which overcame some of the design inadequacies of the earlier aircraft. The F3F-2 was delivered in 1937. Three units were equipped with the aircraft, VF-6 operating off the USS Enterprise, VMF-2 based in San Diego, California, and VMF-1 based in Quantico, Virginia. Grumman was working on another variant, but they became concerned about the monoplane design proposed by Brewster Aircraft, so they modified their proposal from the XF4F-1 biplane to the XF4F-2 monoplane which would become the Grumman Wildcat fighter. The F3F was a stretched version of the earlier F2F produced by Grumman and also had larger wings and more modern aerodynamic features. Initial production models were fitted with a 650-HP Pratt & Whitney radial and an 8-foot 6-inch Hamilton Standard prop. The F3F-2 was the primary variant. It utilized a 950-HP engine and was armed with one .30 caliber and one 0.50 caliber machine guns. The F3F-2 was capable of a top speed slightly in excess of 240-MPH, had a service ceiling of 30,000 feet, and an effective range of 825-miles. The F3F-2s were delivered to VF-6 aboard the USS Enterprise, VMF-1 at Quantico Virginia and VMF-2 at San Diego, California. The F3F-3 was similar in design to the F3F-2. The two aircraft were almost indistinguishable, yet the 3 was 8-MPH faster due to a tighter fitting engine cowling, some aerodynamic refinements, and the deletion of the the fuselage vents. By the end of 1941 the last of these Grumman biplane fighters had disappeared from front line service. VMF 111 and VMF 211 were the last two units to relinquish their F3Fs in July and October of 1941, respectively. The1941 color movie Dive Bomber, starring Erroll Flynn, Ralph Bellamy, and Fred McMurray, featured the F3F, and many future naval aviators were motivated to sign-up after seeing this picture. As illustrated in Stan Stokes painting, an F3F aircraft piloted by a young Naval officer of Fighting Six, James E. Howard, lifts off from the USS Enterprise during fleet maneuvers before the War. Howard flew with VF-6 from 1937 through 1941. In mid-41 he resigned his commission to join the AVG Flying Tigers in China, and upon his return to the States he accepted a commission with the USAAF as a Captain. He became commander of the 356th Fighter Squadron flying the P-51 Mustang. Howards most memorable day was on January 11, 1944 when he single handedly protected a bomber squadron from enemy fighter attack on their return from their bombing mission. Labeled a one man air force by one of the bomber pilots, Howard would be awarded the Congressional Medal of Honor for his heroic acts of January 11th. Howard was the only fighter ace in the European theater to be so honored.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0162
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Americas First Flat Top by Stan Stokes.
Although the US Navy had been an early leader in supporting naval aviation, during WW I the Navy had emphasized float planes, and with the end of the War, America found itself well behind the British who had several aircraft carriers in service. In April of 1919 the Navy decided to convert a new collier, the USS Jupiter, into a flush deck aircraft carrier, the navys first. Redesignated as the USS Langley (CV-1), the ship was commissioned in March of 1922. The Langley was the Navys only carrier until 1928, and would serve in this role until 1936. With the introduction of faster and larger naval aircraft, the Langleys small size and slow speed would result in a decision to change her mission to seaplane tender. The Langley displaced only 13,000 tons, had an open hangar deck, and no island. The ships two stacks were swiveled outwards during air operations, giving pilots a small but unobstructed flight deck. Two catapults were incorporated in the initial design, but were later removed. CV-1 had a turbo electric drive system which allowed the ship a top speed of 14 knots in either direction. This was deemed important so aircraft could be launched in either direction in the event the deck became damaged. The designers initially planned for the Langley to have an air group of only eight aircraft, but this was later increased to as many as forty-two. Most of the Langleys aircraft were stowed on the flight deck, with the practice of stowing aircraft on the hangar deck not becoming common until later. In 1942 CV-1 was utilized to ferry P-40s to Java. She was lost during this mission. The Boeing FB-5 of VB-3 shown in the background in Stan Stokes wonderful painting was one of the naval variants of Boeings PW-9 series. Boeing built a total of nearly 600 aircraft in this family, making it one of the most widely produced aircraft in the between Wars era. The FB-1 was the first aircraft in this series ordered by the Navy in 1924. The FB-2/3/4 variants included modifications for carrier use and a more powerful 510-HP Packard-IA engine. With the additional power, a taller rudder assembly was deemed necessary to provide adequate flight stability. The Navy ordered twenty-seven FB-5s and began taking deliveries in 1927. The upper wing of the FB-5 variant was moved forward while the lower wing was moved backwards. In addition a slightly more powerful Packard engine was utilized. As the FB-5 takes off from the Langley, a Curtis F6C-2 Hawk passes over the ship. The F6C-2 was a variant of the F6C-1 Hawk which was modified to withstand arrested landings. While only four of these models would be produced, the Navy would go on to purchase sixty of the F6C-3 and F6C-4 variants.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
ITEM CODE STK0159
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The Navy Earns its Wings by Stan Stokes.
Stunt pilot Eugene B. Ely, a former race car driver, worked for the Curtiss Aircraft Company as a demonstration pilot in 1910, only seven years after the Wright Brothers first flight. Ely, a tall, lantern-jawed, individual was excited about the possibility of flying an aircraft off a ship. Glen Curtiss believed that such an attempt wood be fool hearty, and the Secretary of the Navy refused to allocate any funds for such a stunt. Although Ely couldnt swim, the pilot exuded the cocky self-confidence typical of early flyers. Ely persisted in his quest and finally got the Navys first Director of Aviation to allow Ely to utilize the USS Birmingham for one day. On November 14, 1910 an 83-foot ramp was constructed over the ships forecastle. Ely readied his Curtiss pusher biplane for the momentous attempt. As bad weather began to close in the impatient flyer decided that he could not wait for the Birmingham to get underway. Ely, appropriately suited in a football helmet, fired up the engine of his fragile aircraft, strapped himself aboard, and signaled for his plane to be released. The Curtiss pusher rumpled down the short ramp, which was unfortunately downward sloping. The observers gasped as the small airplane dropped over the bow, and skimmed over the waves, and finally made it into the air. A few months later in January of 1911 Ely was determined to make the first landing of an aircraft on a ship. This time the event would take place in San Francisco harbor, and the landing would take place on the USS Pennsylvania. The date was January 18, 1911 and the exact time was 10:00 AM. A platform of about 120 feet in length was build on the stern of the Navy cruiser. A series of ropes connected to sand bags on either end were run across this ramp. Ely took off in his Curtiss pusher from a local Army airfield in San Bruno. He was bundled in heavy clothing, and because he could not swim, Ely had fashioned a bicycle inner tube into a self-made life preserver. The pilot made his way out into the Bay in his fragile craft. Spotting the Pennsylvania surrounded by dozens of spectator ships, Ely lined-up his fragile craft with the stern of the vessel, which was crowded with seamen anxious to see a first. About fifty feet short of the deck, Ely cut his throttle, but a gust of wind ballooned his flying machine. Not losing his cool, Ely held his landing altitude and snagged the 26th rope with his simple landing hook. The Curtiss stopped in about thirty feet. The sailors and onlookers cheered the event, which was declared a milestone in flight by both the ships Captain and later that day by the San Francisco press. After a nice lunch with the Captain, Ely fired up his engine and took off from the Pennsylvania, having become Americas first naval aviator.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
ITEM CODE STK0178
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Victory at Midway by Stan Stokes.
Limited edition of 100 giclee paper prints. Size 45 inches x 15.5 inches (114cm x 40cm). Price £180.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 15.5 inches (114cm x 40cm). Price £280.00
ITEM CODE STK0067
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Last Voyage of the Yamato by Stan Stokes.
The 74,000 ton Yamato and the Musashi were the two largest battleships ever built, and typified the Imperial Japanese Navys attitude that their ships should be superior to anything the United States had. As a comparison the German Battleship Deutschland displaced a mere 15,500 tons. Each of these ships carried nine 18.1 inch guns, the most powerful armament available on any ship at that point in time. The Yamato participated in the attack on Midway, serving as Admiral Yamamotos flag ship, and many of the other significant sea battles in the Pacific. By the time the Allies were preparing to invade Okinawa, the Japanese had been forced to utilize Kikusui tactics which would involve mass suicide attacks and individual suicide missions. The army had made numerous sacrifices, and senior Japanese naval officers realized that the Yamato would need to be sacrificed in the defense of Okinawa, as a matter of pride. The Yamatos 350-mile trip to Okinawa without any meaningful air cover would be a suicide mission, and the ship and its escort vessels were equipped with only enough fuel for a one-way trip. On April 6, 1945 the huge vessel departed and was immediately sighted by two American submarines, the USS Threadfin and the USS Hackleback. The information was passed on to the USN task force, and on April 7 an F6F from the USS Essex spotted the Yamato and relayed its position back to the USS Indianapolis, the flag ship of Admiral Spruance. An initial attack force of 280 USN aircraft were launched from nine American carriers, followed by a second wave of aircraft from four other carriers. Knowing that the Japanese had no air cover, the F6F Hellcats carried 500 pound bombs, and were joined by Avenger torpedo bombers and Curtis SB2C dive bombers. The Americans had learned from their earlier attack on the Musashi to concentrate torpedo attacks on one side of the giant ship. The Yamato was hit with numerous torpedoes and bombs. By 13:00 the giant battleship was listing 20 degrees to port and her antiaircraft guns were inoperative. At 14:10 another torpedo hit jammed the ships rudder, and the Yamato began to circle at about 8 knots. At 14:23 the Yamato rolled over and exploded in a giant mushroom cloud and sank with the loss of nearly 2,500 men. The Grumman TBF Avenger was the first torpedo bomber produced by that company. It bore a resemblance to the F4F Wildcat, and incorporated a unique internal bomb bay capable of carrying a 2,000 lb torpedo or four 500 lb bombs. The TBF was a big aircraft with a wingspan of 54 feet, and an empty weight of 10,080 lbs. It was capable of 271-MPH with a range of 1,215 miles. The Avenger incorporated a light weight electrically driven rear ball turret. The Avenger was so successful that General Motors was also pressed into service producing the aircraft with their version designated as a TBM.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £94.00 Signed by USN Avenger Pilot William Patterson from the USS Yorktown.
Limited edition of 25 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0090
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The Unlucky Eight by Stan Stokes.
James Elms Swett was born in Seattle, Washington on June 15, 1920. He attended San Mateo Junior College in California, and entered the Navys flight training program during his second year of college. In April of 1942 Jim received his wings and was commission as a second lieutenant in the USMC at Corpus Christi, Texas. Swett arrived at Guadacanal for his first combat duty tour in March of 1943. Assigned to VMF-221 Swett flew the older F4F Wildcat, whereas the more experienced pilots in his squadron flew the newer and more advanced F41J Corsair. On April 7, 1943 Swett would get his first taste of aerial combat, and it would be a day for the record books. More than 150 Japanese bombers attacked Guadacanal on April 7 h . Hurling his four plane division into a formation of fifteen enemy aircraft, Swett personally splashed three Japanese Val bombers before his aircraft was hit with antiaircraft fire, and he became separated from his division. While proceeding alone to Florida Island, Swett encountered another six enemy planes. He downed four more Vals before he was winged by the rear gunner of a fifth. The young USMC Lieutenant recovered and moved in to take out another Val. He put a short burst into the rear gunners position, but at this point his ammunition gave out. In spite of his wounds, a partially disabled engine, and a shattered windscreen, Swett was able to crash land his Wildcat in the waters off of Tulagi, breaking his nose in the process. For his heroic actions in his first combat, Jim Swett was awarded the countrys highest honor, The Congressional Medal of Honor. Promoted to Captain, the ace-in-a-day bagged four more enemy aircraft on June 30, and on July 11 he added two more before both he and his wingman were shot down over Rendova Island. After four days at sea, and badly sunburned and dehydrated, the USMC ace was rescued by native fisherman and taken to a Navy patrol boat. Later in his combat tour, during the battle for Bouganville, Swett would shoot down three more enemy planes. Returning to the States in late 1944, Swett was sent to Santa Barbara for carrier familiarization. He married the former Loie Anderson of Oakland, California in January 1945. After completing his carrier qualification course, he was assigned to the USS Bunker Hill, Admiral Marc Mitshners flag ship. In May of 1945 during the battle for Okinawa, which witnessed horrific kamikaze attacks, Swett would bag one more enemy aircraft. However, the Bunker Hill was severely damaged, and many crewmen, including 29 Marines, were killed. Swett left active duty in 1945, but remained active in the USMC reserve until his retirement with the rank of Colonel in 1970. Jim Swett ended the War with a total of 16 1/2 confirmed aerial victories. He has had the honor of seeing two of his sons and one of his grandsons follow in his Marine Corps footsteps.
Signed limited edition of 500 prints,. Size 22 inches x 18 inches (56cm x 46cm). Price £94.00 Signed by Medal of Honor recipient Col James Swett (deceased).
ITEM CODE STK0077
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Big Tailed Beast by Stan Stokes.
On July 24, 1945, Air Group 87 on board the USS Ticonderoga was informed that the Hyuga, anchored off a small island near Kure, Japan, would be its target. The ship, a WW I vintage battleship which had been modernized in 1936, and later converted to part battleship and part sea plane tender, would be a formidable objective with its impressive firepower and the fact that its location would place the attackers in the line of fire of numerous shore batteries. The ship was 704 feet in length, displaced 39,000 tons, and carried a compliment of Aichi E16A1 Zuiun reconaissance aircraft which were code named Paul by the Allies. Lt Cdr. Kanaga would lead the squadrons Curtiss SB2C Helldivers on the attack. Each of the twelve Helldivers would carry a 1,000 pound bomb in the internal bomb bay, a 260 pound fragmentation bomb under one wing and a droppable wing tank under the other wing. The drop tank weighed substantially more than the 260 pounder so it was anticipated that the Helldivers might be a bit unstable on takeoff. The first aircraft launched, that of Lt. Al Matteson, went into a immediate hard right turn given the uneven wing loading, and hit the water hard. The other Helldivers managed to become airborne, and eventually joined up for the outbound leg of the mission. The plan was for the Helldivers to dive bomb the Hyuga while torpedo bombers made glide bombing attacks, as the water was too shallow for use of torpedoes. In Stan Stokes painting entitled Big Tailed Beast, an SB2C-4E piloted by Lt. H. Paul Brehm pulls out over its target. Anti-aircraft fire is fierce, and the Hyuga is partially obscured by the incredible amount of smoke being generated by its AA guns. Lt. Brehm has decided to make his dive without dive flaps, hoping to make himself a faster moving target for the Hyugas gunners. During Brehms dive, the SB2C of Lt. Vaughn, which was immediately in front of him, went straight down, crashing next to the Hyuga in a great splash of white foam. Brehm released his bomb and pulled out very low over the target. He momentarily blacked out, and his windscreen fogged over. Brehm and his gunner W. Tommy Thompson, could feel the jolt from their 1000 pounder as it scored a direct hit. Returning to their Task Force low on fuel and in bad weather, Brehm was forced to ditch his Helldiver, but he and Thompson were rescued within minutes by the USS Chauncey. The mission was successful, but was not without cost as more than half the attacking Helldivers failed to return safely. The Curtiss SB2C was the last combat aircraft produced by Curtiss-Wright for the US Navy. The aircraft entered service in late 1943 supplementing the Navys SBD Dauntless dive bomber force. More than 7,000 of these large single engine aircraft were produced, with the most widely produced variant being the SB2C-4. Helldivers were capable of carrying a 2,000 pound bomb load, and could also be modified to be used in the torpedo bombing role. Referred to as The Big Tailed Beast by many of its pilots, the Helldiver had a top speed approaching 280-MPH, but also had the reputation of being one of the most difficult carrier based aircraft to land. As a result, many of the Helldivers lost during the War were victims of landing accidents.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £94.00 Signed by USN SB2C Pilot Paul Brehm.
ITEM CODE STK0072
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Home at Dusk by Stan Stokes.
A USN Skyraider returns to its floating home during the Vietnam War.
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0061
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Practice Makes Perfect by Stan Stokes.
The first successful carrier landing and take off took place on January 18, 1911 in San Francisco Bay. It was performed using a Curtiss biplane, which was flown by Eugene Ely, a demonstration pilot who worked for Curtiss Aircraft. A flying platform was built on the stern of the USS Pennsylvania, and a primitive arresting gear was provided by a series of ropes with sandbags attached to each end. Ely took off from Selfridge Field and made the first trap on the Pennsylvania. Following a pleasant lunch he took off from the deck and returned to Selfridge Field. This event was a watershed in the history of naval aviation. Ely would be followed over the next 9 decades by tens of thousands of naval aviators who would experience both the fear and ecstasy of a carrier landing at sea. By the time America was involved in WW II, carrier-based aviation had matured. Victory in WW II, especially in the Pacific, was influenced more by carrier-based aviation then any other factor. By the end of WW II America had a massive fleet of more than 100 aircraft carriers including the fast Essex Class big carriers and scores of light and escort carriers. During the War many of the pilots who earned their Navy wings did their carrier qualifications on the Great Lakes. Two paddle wheel steamboats were converted by the Navy to serve as training carriers. They were the USS Sable and the USS Wolverine. These ships had small decks which were fairly close to the water. A significant number of aircraft were lost during these practice sessions and as in any military training operation there were casualties. The aircraft shown being waved off in Stan Stokes painting appropriately entitled Practice Makes Perfect is an SNJ. This aircraft was one of the primary trainers of WW II, and was utilized by both the Army Air Corps (AT-6) and the Navy (SNJ), as well as many other countries. Designated the AT-6 by the USAAC this capable aircraft was also known as the Harvard and the Texan. The Australians knew the aircraft as the Whirraway. More than 15,000 of these trainers were produced, and this capable low-wing monoplane remained in service for many years following the War. North American, better known for their production of the P-51 Mustang, evolved the AT-6 from an earlier design known as the BT-9. First production models reached service in 1940. Many pilots received aerial gunnery training in the AT-6. A fair number of these aircraft are still in flying condition and can be seen at many air shows throughout the world. Due a general appearance similar to Japanese fighters and dive bombers of WW II, a few of these aircraft have been modified to look like the latter aircraft.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
ITEM CODE STK0073
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Duck Soup by Stan Stokes.
The Grumman J2F Duck evolved from the early 1920s design of the Loening COA-1 amphibian. The Duck was one of many very successful aircraft designed by Leroy Grummans aircraft company based on Long Island, New York. Grumman, who was born in 1885 and was 18-years old at the time of the Wright Brothers first flight, had worked for the Loening Aircraft Engineering Company in New York. Loening was eventually acquired by Curtiss-Wright, but Grumman decided to leave the company in 1929 and form his own company. Initially, the new company focused on repair and subcontract work, including the development of a vastly improved retractable landing gear for Navy floatplanes. The first Grumman Duck was test flown by Paul Hovgard in 1933 utilizing a 700-HP radial. The Navy was impressed with Grummans design, and placed an initial order for 27 JF-1 aircraft. This aircraft evolved into the JF-2 and JF-3 variants, but by 1936 Grumman had improved the aircraft (now designated J2F) by extending the length of the float and shortening the engine cowling. The final variant of the Grumman-built Ducks was the J2F-5 which utilized a 950-HP Cyclone engine, and incoporated stronger bomb racks capable of supporting 325-pound bombs. A substantial number of Ducks (including the J2F-6) were also built by the Columbia Aircraft Corp. under license from Grumman. The aircraft had a 39-foot wingspan and was 34-feet in length. With the 1050-HP Wright R-1820-54 radial engine, the J2F-6 Duck would top out at a maximum speed just north of 180-MPH. It had an effective range of 850 miles, and with its slow cruising speeds could remain airborne for several hours longer than most fighter aircraft.While the Navy thought the Duck might be a useful torpedo plane or fighter, the slow speed of the aircraft in relation to more modern monoplane fighters resulted in the Duck serving primarily as a utility, reconnaisance, and rescue aircraft. The Ducks cockpit could accommodate two pilots, and there was sufficient room in the hull to carry 3-4 additional persons. In Stans painting, entitled Duck Soup, a USN J2F risks a landing in bad weather and rough seas to rescue a downed Navy fighter pilot. Serving with the Navy until the early 1950s, the Grumman Duck was the last biplane aircraft to be utilized in the Navys inventory. It was the beginning of a long legacy of Grumman-built aircraft utilized by the US Navy, including the family of Cat fighters which commenced with the F4F Wildcat and lives on today with the F-14 Tomcat. While arguably quite ungainly in appearance, the Grumman Duck had a starring role in the movie Murphys War. Only a few of these aircraft remain in flyable condition today.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0081
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Fast Cats by Stan Stokes.
The F8F Bearcat and the F7F Tigercat were the final family members in Grummans fabulous series of prop driven USN fighter aircraft. The F7F Tigercat evolved from the work of a three-man design team at Grumman, which included Bob Hall, Dick Hutton, and Gordon Israel. The Navy gave an OK to the development of a prototype in mid-1941, however it would not be until April 1944 that the first production Tigercat was delivered. The Navy planned to use the first two hundred F7Fs as night fighters, but due to unsatisfactory carrier suitability trials; the decision was made to scale back the order and equip only shore-based Marine squadrons with this aircraft. Performance tests of the first production F7Fs were impressive. The F7F was almost 80-MPH faster than an F4U Corsair in level flight at sea level. As WW II wound down, the USN changed its plans for the F7F. Newer variants were developed with the most common being the F7F-3N. The 3N was the first F7F to pass carrier qualification on the USS Shangri La in February of 1946. The final variant was the F7F-4N that included a taller rudder, a stronger wing and fuselage, and improved landing gear and tailhook. During the Korean War these aircraft were utilized in the night fighter role. The F8F was the successor to the successful F6F Hellcat fighter which was the US Navys primary fighter during most of WW II. Grummans test pilot, Bob Hall recommended to Grummans President that the successor to the F6F be small and lightweight and faster than anything flying at that time. In competition with both Curtis and Boeing, the Grumman design utilized a 2,100-HP Pratt and Whitney radial engine driving an enormous propeller more than twelve feet in diameter. The prop was so large that the Bearcat needed very tall landing gear. During its early testing the Bearcat was capable of speeds in excess of 440-MPH. The F8F was ordered into production in mid-1944, and the Navy wanted all the Bearcats it could get before November of 1945, which was the presumed date for an invasion of Japan. One interesting design feature of the initial production Bearcats was a break-away section at each wing tip, which was designed to break-off if overstressed, in order to prevent a catastrophic failure of the complete wing. Also unique was the utilization of a bubble canopy, the first on a Navy aircraft. On February 17, 1945 LCDR Robert Elder flew the F8F in its first carrier suitability trials on the USS Charger. Despite terrible weather conditions, Elder made fifteen successful arrested landings. The F8F passed these trials with flying colors. Too late to see action in WW II, the F8F would also see service in Korea, in both the reconnaissance and night fighting roles. In Stan Stokes painting an F8F accompanies an F7F-4N during the carrier qualification of the F7F-4N on the USS Franklin Roosevelt (CV-42) in 1946.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £94.00 Signed by USN Cpt Bob Elder (deceased).
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00
Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0080
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Quite a Pair by Stan Stokes.
The US Navys first two effective aircraft carriers were the USS Lexington and the USS Saratoga; both converted from battle cruiser hulls in 1927. The Lexington, CV-2, was built in Quincy, Massachusetts, and commissioned in December of 1927. The Saratoga, CV-3, was built in Camden, New Jersey and commissioned in November of 1927. During fleet exercises in the early 1930s the capabilities and limitations of these two great ships had a huge impact on the evolution of carrier tactics. The speed of these big carriers allowed them to operate as an independent task force, and they would therefore need to carry an air group that would provide for a balance between offensive and defensive forces. The Lexington was in the Pacific during the attack on Pearl Harbor. She was involved in raids on Japanese strongholds in the southwestern Pacific in early 1942. She joined the Yorktown in the Battle of the Coral Sea. Her aircraft participated in attacks on the Japanese carriers Shoho, Shokaku, and Zuikaku. On May 8 the Lady Lex herself was the target of Japanese carrier aircraft. She took three bomb hits, and two torpedo hits. She was scuttled by her crew, becoming the first carrier lost by the US during the War. The Saratoga was in San Diego when the Pearl Harbor attack occurred. She served admirably in the Pacific sustaining repairable damage on several occasions. She took leave of the Pacific theater for a year to assist the British. The Big E met an ignominious demise as part of the Bikini Atoll atomic bomb tests. Showing her toughness she survived the first blast she was exposed to, but an underwater blast from only 500 yards away sunk the ship in August 1946. The Saratoga and the Lexington are depicted in Stan Stokes painting during maneuvers in the early 1930s. A Boeing FB fighter passes overhead. The Boeing Aircraft was founded in 1916 and initially built floatplanes. The companys first contract for a fighter/pursuit aircraft came in 1921 when it won the contract to build the Thomas-Morse designed MB-3 fighter. Boeings engineers began developing a fighter of their own design that would utilize a welded steel tube frame instead of the normal wooden frame. The Army tested the Model 15 prototype in 1923. Although they liked many of the features the Army opted to purchase the competing Curtiss design. They did order a couple of the Boeing planes for testing, and about a year later they placed an order for 25 PW-9s. The Navy also decided in 1924 to purchase the design, designating it as the FB-1. Improved variants were designated FB-2/3/4/5/6 etc. Boeing built a total of nearly 600 aircraft in this family, making it one of the most widely produced aircraft in the between Wars era. The FB-2/3/4 variants included modifications for carrier use and a more powerful 510-HP Packard-IA engine. With the additional power, a taller rudder assembly was deemed necessary to provide adequate flight stability. The Navy ordered twenty-seven FB-5s and began taking deliveries in 1927. The upper wing of the FB-5 variant was moved forward while the lower wing was moved backwards. In addition a slightly more powerful Packard engine was utilized.
Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00
Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00
Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00
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Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00
ITEM CODE STK0161
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