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Aviation Art Prints Aviation Artists Robert Taylor

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Robert Taylor

Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

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Robert Taylor Aviation Art Prints, Paintings and Drawings
Aviation Art

Out of the Night - The First To Go In by Robert Taylor.


Out of the Night - The First To Go In by Robert Taylor.
2 of 3 editions available.
All 3 editions feature up to 10 additional signatures.
£95.00 - £135.00

Towards Night's Darkness by Robert Taylor.


Towards Night's Darkness by Robert Taylor.
2 of 7 editions available.
1 of 6 editions featuring up to 15 additional signatures are available.
£2.00 - £145.00

Bogeys Eleven O Clock High by Robert Taylor


Bogeys Eleven O Clock High by Robert Taylor
2 editions.
Both editions feature up to 9 additional signatures.
£250.00 - £325.00


Top Dog by Robert Taylor.


Top Dog by Robert Taylor.
3 of 4 editions available.
All 4 editions feature up to 8 additional signatures.
£120.00 - £265.00

Mustangs on the Prowl by Robert Taylor.


Mustangs on the Prowl by Robert Taylor.
One of 2 editions available.
The edition featuring 3 additional signatures is sold out.
£495.00

Thunderheads Over Ridgewell by Robert Taylor.


Thunderheads Over Ridgewell by Robert Taylor.
3 editions.
All 3 editions feature up to 3 additional signature(s).
£210.00 - £395.00


Doolittles D-Day, 6th June 1944 by Robert Taylor.


Doolittles D-Day, 6th June 1944 by Robert Taylor.
One of 2 editions available.
The edition featuring 5 additional signatures is sold out.
£495.00

Bader Bus Company by Robert Taylor. (GS)


Bader Bus Company by Robert Taylor. (GS)
One edition.
£495.00

Target Bearing 270 by Robert Taylor.


Target Bearing 270 by Robert Taylor.
3 of 4 editions available.
2 of 3 editions featuring up to 25 additional signatures are available.
£2.00 - £395.00


Late Arrival by Robert Taylor.


Late Arrival by Robert Taylor.
One edition.
The edition features 6 additional signature(s).
£110.00

Undaunted by Odds by Robert Taylor.


Undaunted by Odds by Robert Taylor.
4 editions.
All 4 editions feature up to 16 additional signature(s).
£210.00 - £425.00

Inbound to Target - The Dambusters by Robert Taylor.


Inbound to Target - The Dambusters by Robert Taylor.
One of 3 editions available.
All 3 editions feature up to 12 additional signatures.
£135.00


Air Superiority by Robert Taylor.


Air Superiority by Robert Taylor.
3 editions.
All 3 editions feature up to 12 additional signature(s).
£215.00 - £375.00

Opening Sky by Robert Taylor.


Opening Sky by Robert Taylor.
2 of 3 editions available.
All 3 editions feature up to 32 additional signatures.
£125.00 - £450.00

The Wolfpack by Robert Taylor.


The Wolfpack by Robert Taylor.
2 of 4 editions available.
All 4 editions feature up to 17 additional signatures.
£210.00 - £275.00


Close Call by Robert Taylor.


Close Call by Robert Taylor.
One edition.
The edition features 2 additional signature(s).
£95.00

Special Duties by Robert Taylor.


Special Duties by Robert Taylor.
2 editions.
Both editions feature up to 7 additional signatures.
£210.00 - £325.00

Eagles on the Rampage by Robert Taylor.


Eagles on the Rampage by Robert Taylor.
2 of 6 editions available.
All 6 editions feature up to 25 additional signatures.
£210.00 - £375.00


Clearing Skies by Robert Taylor.


Clearing Skies by Robert Taylor.
3 editions.
All 3 editions feature up to 10 additional signature(s).
£195.00 - £375.00

Rolling Thunder by Robert Taylor.


Rolling Thunder by Robert Taylor.
2 editions.
Both editions feature up to 4 additional signatures.
£210.00 - £365.00

Most Memorable Day by Robert Taylor.


Most Memorable Day by Robert Taylor.
One of 2 editions available.
Both editions feature 4 additional signatures.
£495.00


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Text for the above items :

Out of the Night - The First To Go In by Robert Taylor.

Silently out of the night they came. With flaps deployed, three timber and plywood Horsa gliders swept swiftly down through the night skies, rapidly closing with their objective - Pegasus Bridge over the Caen Canal. On board, with tension etched deep into their blackened faces, men from the Oxfordshire & Buckinghamshire Light Infantry, part of the British 6th Airborne Division, braced themselves for landing. They, and sappers from the Royal Engineers, were about to become the first fighting force to land in France on D-Day. They were about to make history.


Towards Night's Darkness by Robert Taylor.

Sometimes it was five, every so often it might be six, occasionally it was three, but usually it was seven men who flew together as a crew with RAF Bomber Command. They formed the closest of bonds, forged through an anvil of freezing temperatures, deadly flak and prowling night-fighters but, with an average age of only 22, their odds of survival were slim. By 1943 the life expectancy for bomber aircrew was just 5 missions - only one in six were expected to survive their first tour of 30 operations. The chances of surviving a second tour were even slimmer. Of the 125,000 men who flew with Bomber Command during World War II, more than 55,000 were killed. Whilst the 'Few' of Fighter Command had undoubtedly defeated the Luftwaffe during the Battle of Britain, it was the 'Many' of Bomber Command who were to play the pivotal role in delivering to the Allies ultimate victory in Europe. But it came at a terrible cost: on one raid alone - the Nuremberg raid of 30th/31st March 1944 - 543 aircrew were killed, more than Fighter Command lost during the entire Battle of Britain. Robert Taylor's evocative new painting is a moving tribute to these men of Bomber Command. As the setting sun casts a golden glow, a group of Lancasters from 576 Squadron gather into formation after departing from their Lincolnshire base at the start of a raid into Germany in late 1944. The lead aircraft UL-I (LM227) was one of only a handful of Lancasters to complete 100 operational sorties. Between them the pilots of Bomber Command won 23 Victoria Crosses during WWII, and countless others were highly decorated for courage and commitment. Several of these veterans have now joined together to sign this commemorative limited edition to honour all those who served with Bomber Command. They include some of the RAF's most inspirational leaders - men such as James 'Tirpitz&;39; Tait, who was awarded no less than four DSOs to become one of the most highly decorated RAF airmen of WWII. Although sadly no longer with us, we are privileged that he was able to personally sign the prints during his lifetime, creating a truly historic collectors edition.


Bogeys Eleven O Clock High by Robert Taylor

Doug Canning breaks radio silence to call the sighting of Admiral Yamamotos flight over the pacific island of Bourganville, 18 April 1943. After a two and a half hour, four hundred mile flight just above the waves, mission leader John Mitchell and his 16 ship raiding party push their P-38s to full power to complete one of the most remarkable ambushes in aviation history.


Top Dog by Robert Taylor.

Completing a record 213 operational sorties with Bomber Commands Pathfinder Force, Mosquito LR503 became one of the most successful aircraft in the Royal Air Force during World War II. It flew first with 109 Pathfinder Squadron, and then 105 Pathfinder Squadron, completing more combat missions than any other Allied aircraft.


Mustangs on the Prowl by Robert Taylor.

Between 3 and 13 September 1944, the 55th Fighter Group flew eight arduous, highly successful, bomber escort missions to Germany for which the group received a Distinguished Unit Citation. Like those the group had flown before, and would fly again and again until the end of hostilities, each mission took them deep into enemy airspace, involved desperate combat with Luftwaffe fighters, and culminated in rapid descent to low level to strafe enemy airfields on the way home. In that ten day period of intense fighting the 55th covered themselves in glory, destroying large numbers of enemy fighters in the air and on the ground, one of their pilots becoming the top-scoring ground attack pilot of the campaign. Long-range combat missions were typical of the assignments flown by the fighters of the 8th Air Force during that period of the air war. Not content with dog-fighting at altitude, when escort duty was complete, the Eighths aggressive fighter pilots relished the opportunity to hurtle down to tree-top height and, ignoring the inevitable barrage of anti-aircraft fire, shoot up any target of opportunity upon which they could bring their guns to bear. Robert Taylors spectacular new limited edition print, the third in his acclaimed Collector Portfolio commemorating the great Air Commands of World War II, depicts the king of the Eighths ground attack Aces, Colonel Elwyn Righetti. Flying his P-51D Mustang, the 55ths CO of 338 Squadron, already with 20 plus victories to his credit, leads his pilots through the Rhine Gorge, skimming the ancient Castle of Stahleck standing above Bacharach, as they seek out enemy targets on their way back to base at Wormingford, England, in the spring of 1945. A classic Robert Taylor edition endorsed with the signatures of Aces who flew and fought the legendary P-51 Mustang in the greatest air war in history.


Thunderheads Over Ridgewell by Robert Taylor.

In the early days of the USAAF daylight bombing campaign, before the arrival of long-range fighter escorts, rarely was a mission flown without Luftwaffe interception and the ever-present barrage of anti-aircraft fire. The Eighth Air Force crews literally fought their way through swarms of enemy fighters and thick flak to hit their targets, then fought their way home again. Seldom a formation returned without losses and casualties, but inexorably the American bomb groups struck deeper and deeper into enemy territory. Bomber crews lucky enough to survive a complete tour were few and far between. They knew this when they arrived in England at the start of their tour, and the awesome task they faced banded the flyers together like brothers. They flew and fought for each other, their country and liberty with determination and a camaraderie that only those who went through the experience could fully appreciate. In his tribute to the USAAF bomber crews, Robert Taylor has selected the 381st Bomb Group to represent, and pay tribute to all those who flew the perilous daylight raids out of bases in England into the heavily defended skies above enemy occupied Europe. Roberts emotive painting shows 381st Bomb Group B-17 Fortresses returning to Ridgewell on a summer afternoon in 1944 during a period when the Group reached the peak of it effectiveness- for several months it was the top ranked outfit in the Eighth. Between June 1943 and the end of hostilities the 381st completed 297 combat missions, hit almost every important target in German hands and was credited with the destruction of 223 enemy aircraft. One aircraft, more than any other, came to symbolise the great bombing campaign of the USAAF in Europe during World War Two, and in his spectacular new painting Robert Taylor captures the magnificence of Boeings legendary B-17 Flying Fortress. In his inimitable style the artist brings to life an exact wartime scene, a battle-damaged aircraft making apparent the fearsome task tackled daily by those who flew the hazardous missions to occupied Europe during the greatest air war ever fought.


Doolittles D-Day, 6th June 1944 by Robert Taylor.

By any military standards, it is difficult to imagine the Supreme Commander of the largest air force of the day, piloting himself over the battlefront during the early moments of one of historys greatest military operations. But General Jimmy Doollittle was no ordinary commander. Already awarded Americas highest decoration for valour, General Doolittle was, by the summer of 1944, in command of the American 8th Air Force. On the morning of 6 June, D-Day, he dispatched 1350 bombers together with his entire fighter force to attack enemy ground installations near the beachheads. Sitting around waiting for intelligence reports was not Jimmy Doolittles style. He was going to see for himself what was happening! With Pat Partridge as wingman, they took off flying P-38 Lightnings - chosen for their distinctive profile in the hopes they would deter friendly fire - and climbed above the overcast. Having observed the 8th Air Forces operations at first hand, as they turned for home, Doolittle spotted a hole in the clouds, flick-rolled through it and disappeared beneath the cloud layer. Pat Partridge had his head in the cockpit, probably changing his gas tanks, and when he looked up there was no sign of his Supreme Commander, he circled around for a while, then headed for home. Beneath the clouds Doolittle saw - the most impressive and unforgettable sight I could have possibly imagined - . As some 5000 ships of all shapes and sizes landed 176,000 troops on the enemy held beaches of Northern France, Doolittle flew up and down the battlefront assessing how the invasion was progressing, and after a two and a half hour sortie, headed back to base. After landing, Doolittle hurried over to General Eisenhowers headquarters to provide the first report Eisenhower received, beating his own intelligence information by several hours.


Bader Bus Company by Robert Taylor. (GS)

On Saturday, 9 August 1941 the unthinkable happened: the legendary Fighter leader Douglas Bader failed to return from a mission over northern France. Immediately, without thought for their own safety, the fiercely loyal pilots of his Tangmere Wing set out on a sweep to search for him, hoping that he may have successfully baled out into the Channel. By nightfall, however, there was no sign of him and everyone feared that their famous Wing Leader might have been lost. A few days later, however, the good news filtered into Tangmere; Bader, renowned as the Fighter Ace with artificial legs, had survived, albeit as a prisoner of war.


Target Bearing 270 by Robert Taylor.

At sunrise on 12 November, 1944, led by Wing Commander James Tait, Lancasters of 617 Squadron RAF prepare to make their bombing run on the German battleship Tirpitz, lying in the Norwegian fjord at Tromso.


Late Arrival by Robert Taylor.

A lone Hurricane of 87 Squadron returns to base at Exeter, at the end of a grueling day of combat during late August 1940.


Undaunted by Odds by Robert Taylor.

On 6th November 1935, a prototype aircraft took to the air for the very first time. As Sydney Camm's sturdy, single-engine monoplane fighter climbed into the sky, few realized that it was destined to become one of the enduring symbols of the greatest air battle ever fought. Its name was the Hawker Hurricane. Undaunted by Odds is a moving tribute to the Hurricane and the gallant pilots who flew it in combat. The painting portrays the Hurricanes of the 303 Polish Squadron RAF during the Battle of Britain as the unit climbs steadily to intercept yet another incoming wave of enemy bombers heading for London in September 1940. Soon the already battle-hardened Polish pilots will once again be in the thick of the action.


Inbound to Target - The Dambusters by Robert Taylor.

The crews of 617 Squadron that took part in the epic Dambusters raid on the night of 16/17 May 1943 were among the finest in the RAF. They were the elite of Bomber Command, and when they left RAF Scampton that night, the skills of their pilots - some of the finest of the Second World War, would be tested to the limit. First, they must guide their aircraft across heavily defended enemy territory at altitudes often as low as fifty feet, dodging flak, trees, buildings and power lines. And then they must attack their targets with a precision unmatched in the annals of the RAF. Of all the pilots who took to the skies that night, no-one was more accomplished at low-level flying than Flight Lieutenant Mick Martin, and it is his aircraft, Lancaster AJ-P that is the subject of this artwork. In company with Flight Lieutenant John Hopgood in the distance, they follow one of the many canals of Holland, wingtips barely missing the sails of the windmills, en-route to the Mohne Dam.


Air Superiority by Robert Taylor.

It had taken almost six years of continual air fighting for the Allied forces to attain complete and total air superiority over the Luftwaffe. At the outbreak of World War II the mighty German Air Force had appeared invincible but the ensuing Battle of Britain gave the Luftwaffe its first taste of what was to come. When America joined the war, bringing with her to Europe new types of fighters and bombers, the writing must have been clearly chalked on the wall of Hitler's bunker. Unleashing the full power of the Eighth Air Force against the Third Reich by day, and with the RAF Bomber Command's constant attacks by night, production in Germany's aircraft and munitions factories became fatally depleted. In the air the Allied fighter pilots were beginning to dominate the skies, and by the spring of 1945, had achieved complete air superiority. It had been a long and bitter struggle, fought with great courage and sacrifice.


Opening Sky by Robert Taylor.

With the morning sun glinting on their fuselages, P-51 Mustangs of the 78th Fighter Group cross the Dutch coastline far below, as they head back towards their base at Duxford, England at the end of a long sweep east of the Rhine crossing, Spring 1945. The final months of the war in Europe lie ahead, and for the P-51 pilots victory is within sight. Finally, after years of toil, the sky was theirs.


The Wolfpack by Robert Taylor.

The 56th Fighter Group was led by some of Americas greatest fighter leaders of World War II and was home to many of its leading fighter Aces. Under successive commanders Hub Zemke, Robert Landry and David Schilling, the 56th destroyed more enemy aircraft in combat than any other fighter group in the Eighth Air Force. Arriving in England in January 1943 under the command of Colonel Hub Zemke, a master tactician and fearless leader, the 56th quickly emerged as an outstanding fighting unit. The only Eighth Air Force Group to fly P-47 Thunderbolts throughout the war, the 56th spawned more fighter Aces than any other USAAF group - legends such as Gabby Gabreski, Robert Johnson and the colourful Ace Walker Bud Mahurin. Under Hub Zemkes mercurial leadership they became known and feared as Zemkes Wolfpack. On 26 November, 1943, the P-47s of the 56th Fighter Group were tasked to escort B-24 Liberators of the 392nd Bomb Group on a dangerous mission to attack the heavily defended industrial and dockyard facilities in the German port of Bremen. Zemke knew the Luftwaffe would be waiting for them as they approached the target, and they were - in force! It was to become a day of high drama. With the Luftwaffe throwing all the fighters they could muster at the American heavy bombers, a massive aerial battle ensued. In the running dogfights high over Bremen, the Wolfpack claimed their most successful action of the war with 23 confirmed kills, 3 probables, and 9 damaged, creating an all-time record in the European Theatre. The 392nds B-24 Liberators could not have been in safer hands on that eventful day.


Close Call by Robert Taylor.

A Spitfire of 610 Squadron narrowly misses colliding with an Me109 while in close combat, low over the south of England, during the late summer of 1940.


Special Duties by Robert Taylor.

A Junkers Ju52 of Luftflotte 2, escorted by Me109s of JG-53, transports important military personnel over the Dolomites in 1942. With the setting sun illuminating the mountain tops in a brilliant light, the panoramic vista is both chilling and spectacular. As the aircraft lumbers across the impressive mountain scenery, members of the High Command can be seen in conference in the cabin, while crew in the cockpit concentrate on their special duties flight plan. Behind them, unprotected from the elements, a lone gunner keeps a watchful eye. The Ju52 became the Luftwaffes primary wartime transport aircraft, taking part in every German army land operation during World War II.


Eagles on the Rampage by Robert Taylor.

Dominating the skies over Germany, P-51s of the 4th Fighter Group - The Eagles - sweep across the cloud tops, their pilots scanning the distant horizon for any signs of the Luftwaffe. They are ready for trouble should the enemy decide to chance their luck. The greatness of the Mustang is beyond doubt; it was the fighter pilot's ultimate machine. Tough, hard-hitting, it handled beautifully and - once the mighty Merlin engine had been included - possessed a performance unrivalled by any single piston-engined fighter of World War II. British inspired and American built, the P-51 was the aircraft the eager young pilots of the Eighth Air Force had been waiting for. Formed in September 1942 from the RAF Eagle Squadrons, the Fourth Fighter Group was the oldest fighter unit in the Eighth Air Force. Under the command of Don Blakeslee, described as probably the best fighter leader of the war, the combined air and ground victories notched up by 'The Eagles' during World War II surpassed any other fighter group. They were the first to penetrate German air space, and the first to engage the Luftwaffe over Berlin. Hermann Goering later remarked 'When I saw those Mustangs over Berlin, I knew that the war was lost'. Each print in this outstanding edition is signed by some of the most famous Mustang pilots that flew in the European Theatre during World War II. Every signatory in the edition has reached Ace status, creating a historic new collectors' edition which may never be surpassed.


Clearing Skies by Robert Taylor.

The winter of 1944 / 45 wasn't the coldest ever recorded in England but it came close. The weather was bitter and, in what would turn out to be the last Christmas of the war, temperatures plunged across the country, bringing ice, freezing fog and deep banks of drifting snow. Airfields across East Anglia stood bleak and frost-bound, runways kept clear of snow when conditions allowed, whilst the heavy bombers of the US Eighth Air Force remained under wraps, engines oiled, warmed and ready for any break in the banks of murky fog that would allow them to fly. And when those breaks came, the bombers were back in action ready to play their part in the final destruction of Hitler's Third Reich. The end game was rapidly approaching and both sides knew it. Clearing Skies portrays one such break in the weather when, with recent heavy snow beginning to thaw, the B-17 Fortresses of the famous 100th Bomb Group at Thorpe Abbotts in Norfolk are being prepared for a new mission to Germany in early 1945. Earning the nickname 'The Bloody Hundredth' due to the heavy losses they suffered, Robert has fittingly chosen the 100th BG to represent all those who flew so heroically with the Eighth Air Force in England during World War II. The Eighth flew its final bomber operations of the war on 25th April 1945, the last of 968 combat missions involving over 523,000 sorties; they had dropped some 700,000 tons of bombs, inflicting destruction on a scale from which the enemy could never recover. Yet the cost of the victory in which they had played such a major part made for sober reading; they had lost some 6,130 bombers and fighters along with some 47,000 casualties, including more than 26,000 dead - half of the entire US Army Air Force losses during the conflict.


Rolling Thunder by Robert Taylor.

Flying down Thud Ridge at just below the speed of sound, Jack Broughton leads an F-105 Thunderbolt raid on the power plant at Viet Tri, North Vietnam, March12, 1967. The target was destroyed.


Most Memorable Day by Robert Taylor.

Adolf Galland and his wingman Bruno Hegenauer break through the fighter escort of No. 303 Squadrons Spitfires to attack Blenheim bombers of No. 21 Squadron over northern France, 21 June 1941. In two missions that day Galland claimed two Blenheims and one Spitfire, survived a forced crash-landing, and later a parachute escape from his blazing Me109. That evening he learned he was to become the first recipient of the Knights Cross with oak leaves and swords - Germanys highest award for heroism.

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