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Aviation Art Prints Aviation Artists Robert Taylor

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Robert Taylor

Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

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Robert Taylor Aviation Art Prints, Paintings and Drawings
Aviation Art

Wide Horizons by Robert Taylor.


Wide Horizons by Robert Taylor.
2 editions.
£80.00 - £135.00

Assault on the Capital by Robert Taylor


Assault on the Capital by Robert Taylor
One of 2 editions available.
Both editions feature 17 additional signatures.
£625.00

Mustang Recce by Robert Taylor.


Mustang Recce by Robert Taylor.
One edition.
The edition features an additional signature.
£80.00


Sky Giant by Robert Taylor.


Sky Giant by Robert Taylor.
One edition.
The edition features an additional signature.
£210.00

Strike and Return by Robert Taylor.


Strike and Return by Robert Taylor.
One of 5 editions available.
All 5 editions feature up to 17 additional signatures.
£220.00

Gallant Ohio by Robert Taylor


Gallant Ohio by Robert Taylor
One of 2 editions available.
Both editions feature 5 additional signatures.
£325.00


Victory Flyover by Robert Taylor.


Victory Flyover by Robert Taylor.
One of 2 editions available.
The edition featuring 9 additional signatures is sold out.
£525.00

Height and Sun by Robert Taylor.


Height and Sun by Robert Taylor.
One of 3 editions available.
All 3 editions feature up to 40 additional signatures.
£125.00

Midwinter Dawn by Robert Taylor.


Midwinter Dawn by Robert Taylor.
One of 6 editions available.
All 6 editions feature up to 15 additional signatures.
£295.00


Bader Legend by Robert Taylor


Bader Legend by Robert Taylor
One of 2 editions available.
Both editions feature 4 additional signatures.
£325.00

Looking for Trouble by Robert Taylor.


Looking for Trouble by Robert Taylor.
3 of 4 editions available.
All 4 editions feature up to 14 additional signatures.
£215.00 - £395.00

First Sighting by Robert Taylor.


First Sighting by Robert Taylor.
One edition.
The edition features an additional signature.
£95.00


Head on Attack by Robert Taylor


Head on Attack by Robert Taylor
One edition.
The edition features an additional signature.
£135.00

Skipper Comes Home by Robert Taylor


Skipper Comes Home by Robert Taylor
2 of 3 editions available.
All 3 editions feature up to 4 additional signatures.
£210.00 - £325.00

Winter Homecoming by Robert Taylor. (GS)


Winter Homecoming by Robert Taylor. (GS)
One edition.
£425.00


Desert Sharks by Robert Taylor.


Desert Sharks by Robert Taylor.
One edition.
The edition features an additional signature.
£110.00

Rabaul - Fly For Your Life by Robert Taylor.


Rabaul - Fly For Your Life by Robert Taylor.
3 editions.
All 3 editions feature up to 7 additional signature(s).
£210.00 - £395.00

Ramrod by Robert Taylor


Ramrod by Robert Taylor
2 editions.
Both editions feature up to 5 additional signatures.
£100.00 - £150.00


Fastest Victory by Robert Taylor


Fastest Victory by Robert Taylor
One edition.
The edition features an additional signature.
£140.00

A Time for Heroes by Robert Taylor


A Time for Heroes by Robert Taylor
3 of 4 editions available.
All 4 editions feature up to 14 additional signatures.
£210.00 - £395.00

Defence of the Realm by Robert Taylor.


Defence of the Realm by Robert Taylor.
One edition.
The edition features an additional signature.
£230.00


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Text for the above items :

Wide Horizons by Robert Taylor.

A superb study of the legendary P-38 Lightning, this print commemorates the American Air Forces that operated in the European Theater.


Assault on the Capital by Robert Taylor

Robert Taylors final painting in his 60th Anniversary trilogy features a scene from the attacks on the afternoon of September 7, 1940. Led by Herbert Ihlefeld, Me109Es of II/LG 2 dive through the bomber formation giving chase to Hurricanes of 242 Squadron as Ju88s of KG30, having unloaded their bombs, head for home. One Ju88 has been hit and is already losing height, and will not return. Following behind He111s of KG53 try to keep formation as they fly through flak. The sky is alive with action.


Mustang Recce by Robert Taylor.

Russ Berg flies his 10th Recce Group P51s in low and fast, dodging flak and enemy fighters, to get vital photographs for General Patons advancing forces. A superb study of World War IIs most outstanding tactical fighter in action, in the hands of one of the USAAFs most distinguished and highly decorated pilots.


Sky Giant by Robert Taylor.

In the mid 1930s, at a time when Pan American had led the way with two generations of four0engined flying boats. the United States Navy sought a much larger, heavier flying boat for over-water reconnaissance bomber service. Consolidated Aircrafts PB2Y Coronado was the result, this massive all-metal flying boat first taking to the air in 1937. Several models and extensive modifications followed, and in 1943-44 a number of the latest types were converted for the Naval Air Transport Service for the carriage of cargo and passengers. This wartime fleet, based at San Franciscos Treasure Island and at Pan Americans North Beach facility, now part of New Yorks La Guardia Airport, performed vital transport services across the Atlantic and throughout the Pacific. Flown by contracted Pan Am crews, the Sky Giant saw its share of action. On one notable occasion Captain Bill Moss and his crew landed in heavy seas to rescue 48 survivors from a torpedoed merchantman, lifting off in a 15ft swell to fly the oil-soaked seamen 300 miles to safety.


Strike and Return by Robert Taylor.

Winter in Northern Europe brings short days, long nights and, for the most part, appalling weather making navigation difficult and flying hazardous, even by todays electronically sophisticated standards. Throughout RAF Bomber Commands arduous six year World War II campaign, as if atrocious weather were not enough to contend with, day and night bomber crews faced interceptions by enemy fighters, constant flak over occupied territory, and the real and ever-present danger of mid-air collision. Add snowstorms, gale force winds, freezing temperatures and the comparatively rudimentary navigational aids available at the time, it seems a miracle they were able to continue at all. But continue they did, and whenever there was the slimmest chance of hitting an enemy target, unhesitatingly, the aircrews of Bomber Command took up the challenge. 460 Squadron, RAAF was typical of the bomber squadrons under overall command of Air Chief Marshal Sir Arthur Harris, squadrons manned by volunteer aircrews from Britain, Australia, New Zealand, Canada, Rhodesia, South Africa, and many other nations opposed to Hitlers Nazi Germany. To a man they knew the frightening odds against completing a tour of duty, yet many faked their ages just to join this elite band of wartime flyers. True to their squadron motto Strike and Return, the artist shows Lancasters of 460 Squadron RAAF, returning to RAF Binbrook in Lincolnshire following a daylight raid over Germany in the late winter of 1944. With the sun almost set, chill evening shadows lengthen on a magnificent winter landscape dusted with snow, Lancaster J-Squared leads the mighty bombers as they descend in the fading light.


Gallant Ohio by Robert Taylor

Spitfires of 126 and 185 Squadrons successfully fend off a last desperate attempt by enemy aircraft to sink the crippled American tanker Ohio, still some 80 miles short of the beleaguered island of Malta. Badly damaged and barely afloat the Ohio, assisted by Royal Navy destroyers Penn, (foreground), Bramham (lashed to Ohios port side) and Ledbury, limped into port to a tumultuous welcome, on August 15, 1942. Her vital cargo of fuel kept the islands air defences alive, and ultimately made the island secure.


Victory Flyover by Robert Taylor.

The mass flyover, Toyko Bay, 1945, heralding the surrender on board USS Missouri.


Height and Sun by Robert Taylor.

If you had the height, you controlled the battle. If you came out of the sun, the enemy could not see you. If you held your fire until you were very close, you seldom missed. These three basic rules contributed to the prowess in aerial combat of some of the most successful fighter pilots in history and seldom were they more valuable than when outnumbered. Between July and October 1940 the brave young pilots of RAF Fighter Command were under intense pressure from the constant attacks of the Luftwaffe and the Hawker Hurricane was the machine of the Battle of Britain, accounting for 80 percent of Allied victories. In this painting, Hurricanes of 32 Sqn climb high into the morning sky, gaining Height and Sun in an attempt to take the advantage over the onslaught of enemy fighters - August, 1940. This image captures the surreal calmness above the clouds, belying the fury of action and ultimate sacrifices made in those crisp blue skies.


Midwinter Dawn by Robert Taylor.

The engineers at Rolls-Royce had worked their magic. They had somehow managed to squeeze every available ounce of power out of the current Merlin engine and by D-Day on 6 June 1944 the sleek Mk.IX Spitfires of Fighter Command reigned supreme in the skies over Normandy. The magnificent Mk.IXs were, by far, the most numerous variant of Spitfires that fought from D-Day to the threshold of the Reich. In the great drive from Normandy across northern France, Belgium and into Holland the Spitfire pilots of Fighter Command threw down the gauntlet to any Luftwaffe pilots brave enough, or foolhardy enough, to tangle with them. Perhaps the greatest pilot to ever fly the Spitfire was the RAF&39;s top fighter Ace Johnnie Johnson. His resolute determination and steadfast leadership came into its own during D-Day and the subsequent advance through Normandy, and he would finish the war as the highest scoring Allied Ace in Europe. The scene captures the moment when, as Wing Leader of 127 Canadian Wing, Johnnie is seen leading Mk.IX Spitfires from 421 Red Indian Squadron RCAF out on patrol from their airfield at Evere near Brussels on a cold December morning in 1944. It is close to the fighting and the German front line so, as the Canadians climb steadily out over the snow clad landscape in the golden light of dawn, they are already alert and on the lookout for the first signs of trouble.


Bader Legend by Robert Taylor

The legendary Wing Leader Douglas Bader high above the south coast of England, flying his beloved Mark Va Spitfire. Baders inspired leadership spawned some of World War IIs greatest fighter leaders- Johnnie Johnson, Denis Crowley-Milling, Cocky Dundas and many others.


Looking for Trouble by Robert Taylor.

When Hitler invaded Poland the British found themselves at war - and isolated. Desperate for new fighters and with production at full capacity they turned to the US aircraft manufacturer North American Aviation who were convinced they had the answer for Britain's needs - but it was still on the drawing board. They were, however, sure they could meet the deadline and incredibly, within the space of just four months the company had their brand new machine in the air. The Mustang was a triumph - conceived and born in a shorter period than any other significant aircraft in history and testament to its designer Edgar Schmued, and the people who built it. Delivered to the RAF in October 1941, it was fast, manoeuvrable, hard-hitting and, by the time it was combined with the legendary Rolls-Royce Merlin engine, was capable of outperforming anything the enemy could throw at it. With the arrival of the long-range fighter the heavy bombers of the USAAF could now be escorted all the way to the German capital and back so whilst the RAF pounded Berlin at night, the Mighty Eighth would do the same by day. When P-51s first appeared in the skies over Berlin, Hermann Goering was reported to have announced that he knew then the war was lost. Like the Spitfire, a special new breed of men flew the Mustang as the Allies pushed for victory in Europe. Tough, supremely confident, determined, and gloriously brave; it was an era that belonged to them and the P-51 helped produce some of the greatest aces of the war. Such iconic pilots as George Preddy, John Meyer, Don Blakeslee, Kit Carson and Bud Anderson scored all or most of their victories in this thoroughbred fighter. In fact, the Mustang was responsible for more US victories than any other fighter of the war. In this painting, P-51Ds of the 352nd Fighter Group with full long-range tanks slung under their wings, head out from their forward base in Belgium on an extended sweep east of the Rhine crossing on the lookout for enemy aircraft, in the spring of 1945.


First Sighting by Robert Taylor.

Downed aircrew often drifted for days in their small inflatable dingies hoping rescue would come. Robert Taylors painting depicts that first sighting by an Air Sea Rescue Sunderland and the moment of joy of the aircrew.


Head on Attack by Robert Taylor

On October 12, 1940, No. 603 Squadron, reduced to only eight aircraft, took on a large formation of Me109s attacking head on. Robert Taylors vivid portrayal shows Scott-Maldens Spitfire moments after knocking down an Me109 in the encounter, both he and his wingman coming through unscathed.


Skipper Comes Home by Robert Taylor

From the summer of 1942 until the end of hostilities, the USAAFs Eighth Air Force took the battle to enemy occupied Europe every single day that weather permitted. The largest air unit ever to go to war, the Eighth played a vital role in the ultimate defeat of Hitlers Germany. In the forefront of this awesome fighting force, the crews of the mighty B-17 Flying Fortress will be forever remembered.


Winter Homecoming by Robert Taylor. (GS)

For over five years the young men of RAF Bomber Command fought a long, unceasing and always bitter struggle against the mighty war machine of Nazi Germany. Magnificently brave, they endured fearful odds, frightening losses and some of the most terrifying flying conditions imaginable, but they persevered unflinchingly. The extraordinary heroism of those men is reflected by the twenty-three Victoria Crosses awarded during that time. And one aircraft above all others came to symbolise that gallantry, the mighty Lancaster. Robert Taylor's moving tribute to that famous bomber, Winter Homecoming, is surely one of the most beautiful aviation landscapes in existence. With great skill the artist has managed to portray the contrasting moods of wartime England within a single canvas. As dawn breaks over a tranquil English landscape, the crisp winter air echoes to the sound of hard-working Merlin engines. The glinting rays of the rising sun reveal the damaged Lancaster, its inner port engine smoking as the battle-weary pilot struggles to keep his aircraft flying. Probably there are injured men on board. Long overdue, the straggler has fallen far behind the main returning force, only the dogged tenacity of her pilot and crew have kept them going. They could easily have fallen prey to prowling Luftwaffe night fighters, but this time they've been lucky, they will make it home - just.


Desert Sharks by Robert Taylor.

Robert captures precisely the arid heat, dust and smoke of desert warfare, conveying an air of impending conflict. Neville Duke in his 112 Sqn P40-D Kittyhawk.


Rabaul - Fly For Your Life by Robert Taylor.

For their outstanding contribution to the war in the South Pacific, the Black Sheep were awarded one of only two Presidential Unit Citations accorded to Marine Corps squadrons during the war in the Pacific. With typical mastery, Robert Taylor has brought to life an encounter over Rabaul in late December 1943, paying tribute to one of the US Marine Corps most famous fighter squadrons, and its outstanding leader. With the Japanese airbase at Rabaul visible in the distance, Pappy Boyington and his fellow pilots of VMF-214 tear into a large formation of Japanese Zekes and a series of deadly dogfights have started, one Zeke already fallen victim to their guns.


Ramrod by Robert Taylor

During operation Ramrod 792 on April 25, 1944, leading his Spitfire wing, Johnnie Johnson had a long-running combat with an FW190. Robert Taylor shows the last moments of the duel which ended in victory for the Allied Air Forces leading fighter Ace.


Fastest Victory by Robert Taylor

Taking his Hurricane off from Speke, a raiding JU88 crossed the airfield in front of Denys Gillam, who promptly shot it down. It was the fastest air victory of the war, and probably of all time.


A Time for Heroes by Robert Taylor

Royal Air Force and Royal Navy fighter aircrews flew combat throughout the six long years of World War Two. At the outbreak of war in 1939 four RAF Hurricane squadrons and two equipped with Gladiators went immediately to France where in short time New Zealander Cobber Kain became the first Allied Ace of the war. In April 1940 Hurricanes and Gladiators saw in action in Norway, when Rhodesian Caesar Hull of 263 Squadron became the second air Ace. By the fall of France the new Spitfire joined in the great air battles over the Channel as the British Expeditionary Force evacuated Dunkirk. Bob Stanford -Tuck, Douglas Bader, Peter Townsend, Sailor Malan, and many other great Aces gained their first victories, but with German forces massing on the French coast, the invasion of Britain looked imminent. Only RAF Fighter Command stood in Hitlers way. By July, the most famous of all air battles had begun. The next three months, under glorious summer skies, saw the most decisive and continual aerial fighting in history. The British victory in the Battle of Britain was to fundamentally change the course of the war and, ultimately, the course of history. But there were four and a half more years of air battles still to be fought and won -from the English Channel Front to the North African desert, from the Mediterranean to Far East Asia. It fell to Fleet Air Arm pilots to see the last air fighting for British and Commonwealth pilots, by then equipped with Seafires and American Corsairs and Hellcats, as they took part in the final assaults on the Japanese mainland. As the last embers of hostilities faded into history the centuries old doctrine of maritime supremacy had gone. Now the aircraft ruled. In his masterful painting A Time For Heroes Robert Taylor pays tribute to the World War II fighter aircrews of the RAF and Fleet Air Arm. A panoramic scene from the era of the Battle of Britain shows Mk I Spitfires of 234 Squadron, 10 Groups top scoring squadron, returning to St. Eval after intercepting heavy raids on south coast ports during the heaviest fighting, in September 1940. St. Michaels Mount, the castle built on the site of a 14th Century monastery to defend Britains shores from earlier enemies, provides a symbolic backdrop as once again a band of brothers is called upon to defend their Sceptred Isle.

Sadly, since the passing of Mahinder Pujji in September 2010, all of the great pilots who signed any of the editions of this print have now passed away.


Defence of the Realm by Robert Taylor.

In the azure skies above London and the south-eastern Shires of England during the long, hot summer of 1940, a small band of RAF fighter pilots, substantially out-numbered, and against all odds, flew and fought a savage aerial battle in defence of the Realm. Their success in repelling the might of the Luftwaffe has become legend. They were Churchills FEW. Fresh from the heat of battle after a dog-fight over the city, No. 85 Squadrons C.O., Peter Townsend, levels off and turns his Hurricane for home to re-fuel, re-arm, and rejoin the fight. A symbolic portrayal paying tribute to the Hawker Hurricane and its legendary pilots who, between them, accounted for four of every five enemy aircraft destroyed during the momentous Battle of Britain.

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